The link below is to an article that reports on an update to the Kindle’s ‘Manage Your Content and Devices’ page.
The link below is to an article that looks at what the writer of the article hates about Kindle devices – any thoughts?
The link below is to an article that reports on how it is now possible to permanently delete Kindle Ebooks from Kindle devices.
The link below is to an article that takes a look at how yo buy Kindle books on iOS (Apple) devices.
The link below is to an article that looks at SoundGecko, an application for many devices and the web, which allows you to listen to articles instead of reading them. There are a number of plans available, including a free one. Well worth looking at for people on the go.
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Treasure Island was the first major novel of Robert Louis Stevenson. It was first published in 1883 and has remained a much-loved book. First penned as a story for boys, it was as a young boy that I first came across Treasure Island. It was the first real book that I ever read – certainly of my own choice. If I remember correctly, the copy I had was a small book, not much bigger than my hand and illustrated throughout. The illustrations weren’t coloured as such, but I think I may have started to ‘colour them in’ as I read the story several times. The name of the ship, ‘Hispaniola,’ came back to me in one of my first compositions at school. In that early attempt at writing I wrote a story about piracy and a ship called the Hispaniola. I believe I was written into the story, along with several of my classmates, though the original composition has long since been lost and the
plot a thing of the past.
Not until the last couple of days however, did I take up the novel once again and begin to read the story of Long John Silver and Jim Hawkins, and the journey to Treasure Island. It has been a long time now, since that first book I read and my taking it up again. It must be at the very least thirty years and then some by my reckoning. Remembering this book as the first I had really read, was the reasoning behind my picking it up again for another read.It is an easy read. It is not a long read. But it is an enjoyable read. If it is that then the author has achieved his goal in fiction I believe. To be sure there are many things that can be learned in reading a novel and many lessons that can be taught through a novel, but without enjoyment all else is lost. This is a short novel that can be enjoyed greatly.
I read this book by way of a Kindle, which shows that the future of Treasure Island lies assured into the digital future and beyond. I also own Treasure Island in traditional form and as part of a set of works, being the entire works of Robert Louis Stevenson. One day I hope to read more, if not all of this man’s printed contrinution to English literature and I look forward to doing so.
Treasure Island is the classic pirate story, coming fully equiped with the pirate talk which is so popular even to this day and the vivid description of a pirate adventure. The story is a great one that may well bring younger generations to read and pull them away from the Xbox and other gaming devices. It is a short read, with short chapters, which may be a useful tool in getting a young one to start reading – but it is the adventure of a life time for Jim Hawkins that will really draw them in and the promise of buried treasure.
If you have not read Treasure Island, pick up a copy and have a read. It is free in the Kindle Shop at the time of posting this review and well worth spending a couple of hours a day reading this classic – by the end of the week the story of Treasure Island will be completed and you will be the richer for having read it.
Buy this book at Amazon:
The link below is to the Google Play site for their top free books. Very good for android devices,
Sci-fi and fantasy book publisher Tor, is going DRM-free, to allow ebook buyers to use their ebooks across a range of devices. Commonsense for a change. Congratulations Tor.
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I have been reading ‘Print is Dead – Books in our Digital Age,’ by Jeff Gomez and have now reached ‘Readers in a Digital Future.’ In this chapter Gomez begins to expound the possible future of the digital world for book readers. It is a world that abounds with possibility and an experience of reading that bibliophiles of the past could only dream of (if they could look passed the traditional book format). The book reading future will allow the reader to carry an entire library on a personalised device that can be accessed anywhere and at anytime, with the ability to interact with other digital sources of information and other readers from around the globe, to share insights and to communicate via chat and discussion functionality on book-based social networks, web applications and sites. The reader will also be able to store notes within the book that will be able to be edited and shared, to highlight text, search within a document or an entire library and even expand his/her own library seemingly endlessly. The possibilities and richness of the digital future for bibliophiles is incredible to think about and should be within our grasp.
As the digital future approaches I know it is a future I look forward to being able to grasp with both hands as a bibliophile. My traditional book library can expand no further – I have no more space for it to do so. However my digital library has already grown beyond the capability of a home twice my current size to hold and it continues to do so. Will I be able to read them all – probably not. But they will be entertainment, as well as tools, that I can use as I please and they will provide me with experiences as yet untold. The future of reading looks amazing as it continues to appear and unfold on the horizon and as the first rays of the digital era break forth upon us.
Of course, if ebooks are handled poorly by authors and publishers, the rich future of reading that could be, may not be. Many of the possibilities of a digital future could be squandered and Gomez warns us of this possibility. What a wasted opportunity should greed and jealousy stand in the way of a richer reading experience. The reading public also need to understand what it actually costs to produce an ebook and the ebook then needs to be priced fairly and be fairly accessible to the reader across all of their devices.
I have been reading ‘Print is Dead – Books in our Digital Age,’ by Jeff Gomez. I have now completed the fourth chapter ‘Generation Download.’ In this chapter, Gomez begins by comparing what has happened with the music industry with what has begun to happen with books and reading. A generation that has embraced a digital way of life, along with the gadgets that go with it, is out-growing the traditional book and craving digital technology and digital forms of entertainment. Music itself did not die with the coming of the digital world, only the form in which it was presented. The same resistance that the music industry applied to digital technology before it embraced it, is now being witnessed in the book industry – though I would argue that ebooks are taking a little longer to take off. Gomez argues that it is only a matter of time before an acceptable digital format is found that will have ebooks off and running, along with some form or forms of digital devices on which ebooks will be accessed. Perhaps the growing boom in Tablets and Ebook Readers is an indication that that time is now upon us.
Certainly I am a convert, having been previously a doubter of ebooks and the way they were accessed. More mobile forms of accessing ebooks, such as the Kindle, iPad and even Notebooks, have enabled me to transform my thinking, from one in opposition to being one who has fully embraced the technology. Being able to carry vast libraries on mobile devices is simply breathtaking to me and incredibly appealing. Not having to have huge spaces devoted to a large library and actually having the space to store a huge library is simply brilliant – I had long ago ran out of room for my books and needed to cull quite a number, which I did reluctantly. Now I am able to recall those dismissed books via the digital medium and not loose them again. Old friends are again welcome.
In the following chapter, ‘Generation Upload,’ the focus is on the savvy Internet user (which is generally most connected folk these days) who not only downloads material but also uploads modified material, uniquely created material and so on. This has been so with music and video, with the various play lists, mash ups, parodies and the like, as well as comments, contributions, etc. Will the same happen with books is the question raised by Gomez and predicted. Just how far consumer interaction will be with ebooks is yet to be seen, as also the form it will take. There are opportunities already existing for commenting and reviewing, with developments being made in the way of sharing quotes (Pinterest interaction, Quotista, etc), and likely many more ways yet to be invented or passed on convincingly to the masses.
‘On Demand Everything,’ the next chapter in the book, brings the attention of the reader to what we already know – we expect to be able to get pretty much everything whenever we want it and that better be soon. No longer do we need to wait for our media to arrive at given timeslots on the television, our CD music to arrive in the mail, etc. We now have the ability to access it all as soon as we want it and then to keep it in mobile gadgets that we can take with us and access whenever we wish. This then is surely the future of books. Gomez believes we will want to be able to divide large books into bits and pieces that we can access and use in whatever way we like – which would certainly be true of some forms of literature. However, it is unlikely that we would want to divide up novels for example, into little pieces. The ability to bookmark, highlight and clip pieces of text (among other possibilities) for various uses, is certainly increasing the appeal of ebooks and bringing them a more familiar feel, which will I think increase their usefulness considerably. Being able to find quotes, parcels of text and the like via search capabilities, cataloguing, etc, will all be very valuable tools that will bring ebooks into the realm of what is now possible with music, videos, etc.
In the next chapter, ‘Ebooks and the Revolution that Didn’t Happen,’ Gomez examines the reasons why Ebooks didn’t take off when they first appeared – which doesn’t mean they won’t take off at some point (which I do believe will happen at some point). His arguments certainly capture some of my own thoughts at the time of their first appearance, so if I was typical of people (at least of my age) at that time he may very well have hit the nail on the head. Some of the original issues still exist, such as the number of file types and matching them with the various readers and access to the files across a variety of devices. Perhaps when these issues are thought through with a bit more commonsense ebooks will become more popular sooner rather than later.