Literary magazines are often the first place new authors are published. We can’t lose them



Blair Fraser/Unsplash

Alexandra Dane, University of Melbourne

Australia’s literary journals are produced in a fragile ecosystem propped up by a patchwork of volunteer labour, generous patrons and, with any luck, a small slice of government funding.

The Sydney Review of Books, the Australian Book Review and Overland were among a group of publications who sought four-year funding from the Australia Council in 2020 but were unsuccessful.

These publications join the ranks of many others – among them Meanjin and Island – defunded by state or federal arts funding bodies in recent years.




Read more:
The Meanjin funding cuts: a graceless coup?


These magazines are vital for today’s publishing industry. For many authors literary magazines provide the first opportunity for publication. For editors and arts administrators, they provide a training ground for life-long careers in Australia’s creative sector.

The past decade has seen a steady decline in arts funding going to individuals and organisations. According to Chairman of the Copyright Agency and former media executive, Kim Williams, writing in the Sydney Morning Herald:

[…] if funding for literature had been maintained as in the mid-70s, considering inflation and population growth, it should be at $12 million, at least. Today, it stands at just $5 million (compared with $4.2 million 30 years ago).

The list of defunded writing-focused organisations in the most recent multi-year funding round is stark. Those losing their multi-year status include Artlink, Eyeline, Art Monthly, the Australian Script Centre, Playwriting Australia, Sydney Writer’s Festival and Brisbane Writers Festival.

Without securing medium-term support, these organisations face an uncertain future.

Vital discourse

In response to the 2020 funding announcement, editor of Australian Book Review, Peter Rose, stated the decision demonstrates

little understanding of [the magazine sector’s] contribution to the literary ecology, and no appreciation of the dire consequences for readers, authors, contributors and publishers.

The cultural discussions within the pages of literary journals set the agenda for the more higher-profile but slower-moving institutions such as publishers, prizes and festivals.

Literary magazines are often the first place authors are published. Against the backdrop of an industry largely staffed by white, middle-class people, small magazines are at the forefront of bringing more Australian writing to the surface from writers of colour, First Nations writers, disabled writers, trans writers and working-class writers, challenging those who hold power at the top of the sector.




Read more:
Express Media is unique and young people need it


Writing in 2015 about the position magazines such as Island or Overland occupy, Emmett Stinson noted these publications:

[…] are essential to contemporary literary culture: they showcase new and emerging writers; […] offer more extended literary debates and discussions than the broadsheets; comprise a venue for journalism that contains views outside of the liberal mainstream; serve as rallying points for different communities of readers and coteries of authors […]

Ben Etherington’s essay about the parallel lives and deaths of Mudrooroo and Les Murray, Cher Tan’s exposition and critique of taste production on the internet, and Blak Brow – which was written, edited, illustrated, curated and performed by First Nations creators – are among countless examples of the ways literary magazines carve out space for critique, expression, consideration and reflection.

In shifting funding away from small magazines, we lose the place for these discussions.

Not a competition

Uncertainty, instability and fragility are perhaps the defining characteristics of small magazines.

The decisions to not fund literary magazines not only have a significant impact on the individual publications, but also to Australian cultural discourse.

What gets published within the pages of these magazines can entertain us, it can inspire us to critically examine the world around us, and can help us understand culture that moves us.

Vibrant discussion about culture, society and the arts does not happen by accident. It must be carefully nurtured and requires financial support.

The Australia Council make extremely difficult decisions about what gets funded and what doesn’t.

Not every organisation and publication and festival can receive funding. Those who don’t secure funding are no more or less worthy than those who do. Reduced financial support for Australia’s creative endeavours encourages artists to turn against one another in judgement of what should and should not receive funding.

Australian artists entertain us, challenge us and allow us to see things from different perspectives. Fulfilling a capitalist desire for competition, however, only distracts from the importance of Australian artists and the contribution the creative sector makes to our lives.


Correction: a reference to the Wheeler Centre has been removed as they did not apply for funding in 2020.The Conversation

Alexandra Dane, Lecturer, University of Melbourne

This article is republished from The Conversation under a Creative Commons license. Read the original article.

National Library of Norway Digitizing All Books Published in Norway


The link below is to an article that reports on Norway’s national library and its attempt to digitalize every book published in that country.

For more visit:
http://goodereader.com/blog/e-book-news/national-library-of-norway-digitizing-all-books-published-in-norway

Book Review: Phantoms on the Bookshelves, by Jacques Bonnet


‘Phantoms on the Bookshelves,’ by Jacques Bonnet was translated from the French original by Sian Reynolds and has an introduction by James Salter. The copy I have is a Kindle edition. It was first published in Great Britain in 2010 by MacLehose Press. It is a relatively short book at 123 pages in length, so it won’t take too much to get through it.

Phantoms on the Bookshelves, by Jacques BonnetThe introduction to the book by James Salter is a good, brief read concerning the author of the book and his book collecting ways. It could easily describe me, though I have nowhere near as many books as Bonnet, even though I have thousands myself in traditional form and/or digital format. I see similarities between the description given of Bonnet by Salter and myself, with my far fewer volumes. I too struggle now to find room for them all, with my virtual bookshelves requiring expansion in the near future to accomodate my book collecting ways into the current century and digital age. Traditional books have long run out of room in this house, as I suspect they have in Bonnet’s apartment.

Bonnet is a man who loves books and his thoughts on what is normal in a home, the presence of many books, is something I can relate to. I also find myself in wonder when I see homes with no books, particularly in some of the circles in which I move or have moved. How can they get by without books? Mind you it is probably not as easy a situation to read (no pun intended – truly not) these days, with books now being able to be stored by the thousands on a home computer and/or on an external hard drive or two. Still, I have wondered this for many years and I think Bonnet would probably agree with me. Relating to others is made easier when discussing books for Bonnet and I find this an agreeable thing also. It is the way of Bibliophiles, whether we use that term or not (perhaps for some Bibliomaniac is a better term).

I did not find Bonnet’s chapter on cataloguing and organisation helpful at all, though I expect it would help some. This is probably because I have developed my own system which closely resembles that of the Dewey to almost certainly be called a Dewey system. The Bonnet decsription horrified me and I thought it would become far too confusing and disorienting for me. He is certainly right about the Internet making a major impact on libraries and the need to have as many books as he has in his collection. It is not only the storing of works on the World Wide Web, in the cloud and on other digital storage systems like computers, external drives, etc, where libraries are changing and/or have changed, but also in the cataloguing and organisation of books. I have a large number of books stored on digital devices and by digital means, but I also have access to far more over the Internet from vast libraries that I can access online. But I also have both offline and online digital methods for assisting me in cataloguing and organising my books, which I use as best I can and with great relief for being able to do so. Yet it boils down to individual choice and comfortableness, being able to manage these resources in a way that allows the individual to harness them to the greatest effect, which is indeed something of an indiviual matter and process.

The Bonnet method of reading will not be everyones cup of tea, but that’s OK too, because that is also a very individualistic thing. Bonnet likes lying down to read, I prefer sitting at a desk. Bonnet likes to underline and write in his books as he reads, I prefer to highlight and collate quotes via other media. There is no one rule for all, but many different rules for many different people. The thing is to retain what one reads in some way, that I think is the key to reading. It is certainly not a requirement to read each and every book from cover to cover, but to take a dip in each one to some extent and to achieve some purpose when doing so is required if you wish to say that you read your books and they aren’t just display items.

The manner in which Bonnet has collected his books is almost baffling to someone who has not done so in the same manner. He seems almost obsessed with completing lists and collections of books, of following every author/book line that comes up in what he reads or experiences. It seems any book mentioned must be obtained for his library. This is the way of a Bibliomaniac, that is for sure. His obsession with collecting ‘picture’ books is another seemingly crazed hobby which almost seems to be a driving force for him. I too collect books, but this insight into how another book lover and lover of reading goes about collecting his books is one that is beyond my experience. It is a fascinating world of book hunting and gathering if ever there was one. Something about one book leads to another which leads to another, or some conversation leads to a book which leads to another, etc.

Bonnet’s reflections upon his books shows someone who truly absorbs what he reads and imbibes the being of those written about. He seems to feel them, to know them, far better than any creator of them. Authors of books, whether fictional pieces or biographical/autobiographical works fade with the passing of time, if indeed a true reflection of them is left in the pages of the books they write or in the annals of history. However, those created and placed within the realms of literature remain the same and can be known almost completely. There are places to visit, whether real or ethereal, people to meet and to greet. Books bring a whole world to one’s home and experience, and even beyond that one travels into the realm of fictional lands and peoples. A plethora of experience that is only exaggerated when the library is swollen by multimedia resources. What an amazing world the library can become – is.

Buy this book at Amazon:
http://www.amazon.com/Phantoms-Bookshelves-Jacques-Bonnet/dp/1590207599/

Book Review: Treasure Island, by Robert Louis Stevenson


Treasure Island was the first major novel of Robert Louis Stevenson. It was first published in 1883 and has remained a much-loved book. First penned as a story for boys, it was as a young boy that I first came across Treasure Island. It was the first real book that I ever read – certainly of my own choice. If I remember correctly, the copy I had was a small book, not much bigger than my hand and illustrated throughout. The illustrations weren’t coloured as such, but I think I may have started to ‘colour them in’ as I read the story several times. The name of the ship, ‘Hispaniola,’ came back to me in one of my first compositions at school. In that early attempt at writing I wrote a story about piracy and a ship called the Hispaniola. I believe I was written into the story, along with several of my classmates, though the original composition has long since been lost and the
plot a thing of the past.

Treasure IslandNot until the last couple of days however, did I take up the novel once again and begin to read the story of Long John Silver and Jim Hawkins, and the journey to Treasure Island. It has been a long time now, since that first book I read and my taking it up again. It must be at the very least thirty years and then some by my reckoning. Remembering this book as the first I had really read, was the reasoning behind my picking it up again for another read.It is an easy read. It is not a long read. But it is an enjoyable read. If it is that then the author has achieved his goal in fiction I believe. To be sure there are many things that can be learned in reading a novel and many lessons that can be taught through a novel, but without enjoyment all else is lost. This is a short novel that can be enjoyed greatly.

I read this book by way of a Kindle, which shows that the future of Treasure Island lies assured into the digital future and beyond. I also own Treasure Island in traditional form and as part of a set of works, being the entire works of Robert Louis Stevenson. One day I hope to read more, if not all of this man’s printed contrinution to English literature and I look forward to doing so.

Treasure Island is the classic pirate story, coming fully equiped with the pirate talk which is so popular even to this day and the vivid description of a pirate adventure. The story is a great one that may well bring younger generations to read and pull them away from the Xbox and other gaming devices. It is a short read, with short chapters, which may be a useful tool in getting a young one to start reading – but it is the adventure of a life time for Jim Hawkins that will really draw them in and the promise of buried treasure.

If you have not read Treasure Island, pick up a copy and have a read. It is free in the Kindle Shop at the time of posting this review and well worth spending a couple of hours a day reading this classic – by the end of the week the story of Treasure Island will be completed and you will be the richer for having read it.

Buy this book at Amazon:
http://www.amazon.com/Treasure-Island-ebook/dp/B0084AZXKK/

Reading: The Hunt for Red October and Jason Bourne


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I am a big fan of Tom Clancy novels and in particular the Jack Ryan series. A number of years ago I read all of the novels published in the series up until the time I moved house and so for the last 5 years I haven’t read any new ones. When I moved I decided I needed to clean out some of my books (and I have a huge library), so I figured the majority of my fiction books could be cleaned out. I always regretted moving the Tom Clancy novels along, though I figured that at some point I could reclaim them as ebooks, which I am now beginning to do.

A couple of weeks ago I decided to start reading the series again – right from the beginning. I hesitated as to what order I should read them, given that Patriot Games really was set before The…

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Article: Winston Churchill’s Books to be Published as Ebooks


In perhaps a sign of the times, the various books written by Winston Churchill are to be published as ebooks for the first time.

For more visit:
http://www.newstrackindia.com/newsdetails/2012/06/19/275-Winston-Churchill-s-forty-volumes-to-be-sold-as-ebooks-for-first-time-ever.html

Article: Unbound


The link below is to an article about a new crowd-sourcing site designed for books. If you’re looking to get a book published, have a look at this article and consider Unbound.

For more visit:
http://www.makeuseof.com/tag/fund-publish-books-with-unbound-crowdfunding/

PUBSLUSH Press


  1. PUBSLUSH Press is a new way to get books published – a way that is driven by readers, who also get to support the work along the way. Publishing via PUBSLUSH Press also helps less fortunate readers to get hold of material to read. Find out more via the article and videos below.