A beginner’s guide to reading and enjoying poetry

Poetry doesn’t need to be meticulously studied. Like a novel, you can curl up on the sofa and read it for pleasure.

Andrew McMillan, Manchester Metropolitan University

One of the things you get asked most when people find out that you’re a poet is whether you can recommend something that could be read at an upcoming wedding, or if you know something that might be suitable for a funeral. For most people, these occasions – as well as their schooldays – are the only times they encounter poetry.

That feeds into this sense that poetry is something formal, something which might stand to attention in the corner of the room, that it’s something to be studied or something to “solve” rather than something to be lounged with on the sofa. Of course, this needn’t be true.

We’ve seen over the past couple of months how important poetry can be to people. It’s forming a response in advertisements and marketing campaigns, it’s becoming a regular part of the public’s honouring of frontline heroes and, for people who write poetry more often, it’s becoming a way to create a living historical document of these unprecedented times – this latter point was the aim of the new Write where we are Now project, spearheaded by poet Carol Ann Duffy and Manchester Metropolitan University.

In years to come, alongside medical records and political reporting, historians and classes of schoolchildren will look to art and poetry to find out what life was like on a day-to-day basis – what things seemed important, what things worried people, how the world looked and felt and was experienced. Write where we are Now will, hopefully, be one such resource, with poets from all over the world contributing new work directly about the Coronavirus pandemic or about the personal situations they find themselves in right now.

So the crisis has perhaps brought poetry – with its ability to make the abstract more concrete, its ability to distil and clarify, its ability to reflect the surreal and strange world we now find ourselves in – back to the fore.

Many of you might be thinking now is the time to try and get to grips with poetry, maybe for the first time. A novel might feel too taxing, watching another film just involves staring at another screen for longer, but a poem can offer a brief window into a different world, or simply help to sustain you in this one.

How to enjoy poetry

If you’re nervous around poetry or are scared it might not be for you, I wanted to offer up some tips.

1. You don’t have to like it

Poetry is often taught in very strange ways: you’re given a poem and told that it’s good – and that if you don’t think it’s good then you haven’t understood it, and you should read it again until you have, and then you’ll like it. This is nonsense. There are poets and poems for every taste. If you don’t like something, fine. Move on. Find another poet. Anthologies are great for this, and a good place to start with your poetry journey.

2. Read it aloud

Poetry lives on the air and not on the page, read it aloud to yourself as you walk around the house, you’ll get a better understanding of it, you’ll feel the rhythms of the language move you in different ways – even if you’re not quite sure what’s going on.

3. Don’t try and solve it

This is something else that goes back to our educational encounters with poetry – poems are not riddles that need solving. Some poems will speak to you very plainly. Some poems will simply move you through their language. Some poems will baffle you but, like an intriguing stranger, you’ll want to step closer to them. Poems aren’t a problem to be wrestled with – mostly poems are showing you one small thing as a way of talking about something bigger. Poems aren’t a broken pane of glass that you need to painstakingly reassemble. They’re a window, asking you to look out, trying to show you something.

4. Write your own

The best way to understand poetry is to write your own. The way you speak, the street you live on, the life you’ve lived, is as worthy of poetry as anything else. Once you begin to explore your own writing, you’ll be able to read and understand other people’s poems much better.

Read more:
Eavan Boland: the great Dublin poet and powerful feminist voice

I would say this as a poet, but poetry is going to be even more central to how we rebuild after this current crisis. Poetry, especially the teaching of how we might write it, has this wonderful ability to create a new language, to imagine new ways of seeing things, to help people to articulate what it is that they’ve just been through. The way we move forward, as a community, as a society and, in fact, as a civilisation, is to push language to new frontiers, to use language to memorialise, reimagine and rebuild, but also to remember that poetry can be an escape, something to be enjoyed, something to cherish.

With that in mind here is a poem I wrote for Write where we are Now.The Conversation

Andrew McMillan, Senior Lecturer, Department of English, Manchester Metropolitan University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Reading: The Bourne Identity

Kevin's Daily Photo, Video, Quote or Link

Bourne IdentityToday had been quite unpleasant outside. It has been pouring with rain at times, then not. When it hasn’t been it has been blowing a gale and it is also quite cold. It’s bucketing down yet again. So very little has been able to be accomplished outside today. No great outdoors for me on this wet and miserable day.

I have been spending a bit of time, as a consequence of the weather, reading ‘The Bourne Identity,’ by Robert Ludlum. I haven’t read the Bourne series of books before, but have seen the movies many times. I’m a big fan of the Jason Bourne movies. However, having seen the movies it has been difficult to some degree reading the book. The book is very different to the movie, more so than what ‘The Hunt for Red October’ was to the film version. Don’t get me wrong, I’m still enjoying the…

View original post 84 more words

Terrorism and the Illuminati – A Three Thousand Year History, by David Livingstone

I have started to read ‘Terrorism and the Illuminati – A Three Thousand Year History,’ by David Livingstone. I haven’t read a lot as of yet, but it appears to be a book full of conspiracy theories about a secret society (the Illuminati) that are behind world events. Not being a believer in such a theory I am not sure just how much of this book I’ll be able to stomach, but having only read the introduction at this point I’ll try and keep myself restrained from speculating too much on the book. I do have to say that what I have read in the introduction had me thinking ‘is this for real?’ I don’t mean that in the sense of being convinced, but rather in the sense of ‘can anyone really believe this?’

With the death of Osama Bin Laden recently and the various conspiracy theories that have surfaced as a result, this sort of book will probably be enjoying a wider audience at the moment. If conspiracy theories interest you, then this book may very well be of interest to you. There are various associated links below.

There is an online version at the book’s website:

You can also find the book at Scribd:

If you prefer to buy a copy at Amazon, it is available at:


Life of George Washington – Washington Irving

I have been reading the five volume work of Washington Irving on the ‘Life of George Washington’ over the last little while. Currently I am in the middle of the second volume. Though I am only reading two to ten pages a day and don’t view this reading exercise as particularly pressing, I am enjoying my reading experience very much. It is an easy to read book, with chapters divided into very manageable portions. As a whole, the five volumes make up about 2000 pages.

This work by Washington Irving on the life of George Washington covers the life of the first president of the United States, shedding much light on the life and times of Washington. Thus far I have covered the period of Washington’s early life, through the war against the French and Indians (in which Washington played an important role) and into the American War Of Independence (in which Washington led the fledgling nation’s army against the British). This biographical work seems to be an excellent life of George Washington, but also provides an insight into the players and the history of the times.

In short, this five volume work on Washington is excellent and I would highly recommend reading the entire work on an important person in, and period of, American history. The work is available at the Internet Archive and I have links to the five volumes on my website at: