How to write a love poem



Wikimedia/National Gallery of Art

Hannah Copley, University of Westminster

For many, this year’s Valentine’s Day will be like no other. If you are spending the day apart from your loved ones, and don’t fancy the card selection at your local Tesco, writing a poem can be a more personal way to reach out and connect. Indeed, to paraphrase John Donne, “more than kisses, [poems] mingle souls”.

Here are some poems to take inspiration from, as well as some prompts to help you get that first line on the page.

Make a list

In her sonnet, How Do I Love Thee, Elizabeth Barrett Browning demonstrates the effectiveness of staying power when it comes to writing romance. After setting out to count the ways, the poem sticks determinedly to its opening concept – how do I love thee – answering the question from every possible angle, reaching to “the depth and breadth and height / My soul can reach”.




Read more:
Poems for long distant loves in lockdown


How do I love thee demonstrates how incorporating a list within a poem can make for a persuasive and intimate piece of writing. We see this again, in an altogether sillier way, in Ways of Making Love, by Hera Lindsay Bird. In her poem, Bird unfolds a surprising and decidedly unsexy list of similes to “answer” the instructional title of the poem:

Like a metal detector detecting another metal detector.
Like two lonely scholars in the dark clefts of the Cyrillic alphabet.
Like an ancient star slowly getting sucked into a black hole.

Whether it’s heartfelt or more lighthearted, a list poem is an opportunity to remember the quirks that make up a relationship. Half prayer, half receipt, it can quantify the seemingly unquantifiable, as the need to find the next answer to the opening question forces you to think creatively and explore beyond the obvious.

Why not begin with a title like “Each Thing You Do”, and challenge yourself to at least forty lines. Or perhaps you might want to answer Barrett Browning’s original question in light of our 2021 reality:

I love you further than two metres;
I love you beyond the limits of my daily walk.

Embrace desire

Ways of Making Love might not live up to the eroticism of its title, but Selima Hill’s Desire’s a Desire certainly delivers:

It taunts me
like the muzzle of a gun;
it sinks into my soul like chilled honey
packed into the depths of treacherous wounds;

In this variation of the list poem, Hill takes longing as her starting point and recounts its effects in sensual, almost painful detail. Similarly, in Kim Addionzo’s For Desire, the poet celebrates what it is to want without restraint or guilt, whether that’s “the strongest cheese”, the “good wine”, or “the lover who yanks open the door / of his house and presses me to the wall”. In Fucking in Cornwall, Ella Frears embraces the less-than-glamorous realities of sex and desire:

The rain is thick and there’s half a rainbow
over the damp beach; just put your hand up my top.

It may not be the stuff of the big-budget period drama, but it’s joyful in its nostalgia for the awkward fumbling of first love, as well as of the rainy delights of the English seaside.

Each of these poems celebrates the power of declaring longing and need; of articulating the body and what it wants.

Be playful

Perhaps you’ll notice something familiar about the opening lines of Harryette Mullen’s Dim Lady:

My honeybunch’s peepers are nothing like neon. Today’s special at Red Lobster is redder than her kisser. If Liquid Paper is white, her racks are institutional beige. If her mop were Slinkys, dishwater Slinkys would grow on her noggin.

In this fast-paced ode, Mullen takes Shakespeare’s famous Sonnet 130 (“My mistress’ eyes are nothing like the sun”) — itself a parody — and effectively scribbles all over it. While she maintains the style of the original, she substitutes almost every word with a contemporary reference to mass consumer culture, rendering the whole declaration — and the love industry — joyfully ridiculous.

Dim Lady demonstrates the power of the re-write and celebrates the fact that poetry – like love – can be a playful and adaptable collaboration. Like the Zoom pub quiz and online escape room, Mullen’s word substitution is a game that can be played at whatever distance.

Why not each take Sonnet 130 and come up with your own versions using a different frame of reference. Types of plant? TV programmes? Biscuit brands? Then swap and compare results.

And remember, whatever style you decide to try this Valentine’s Day, keep in mind the poet Les Murray’s sage advice:

The best love poems are known
as such to the lovers alone.

When it comes to writing your own verse, remember, it’s the thought that counts.The Conversation

Hannah Copley, Lecturer in Creative Writing, University of Westminster

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Poems for long distant loves in lockdown



Olga Strelnikova/Shutterstock

Kate North, Cardiff Metropolitan University

Many people are not lucky enough to be with their loved ones this valentine’s day. If that is the case, or if you simply want suitable words to mark the day, then there are plenty of long-distance love poems that you can reach for, to share or to read for comfort.

Some of them can be found in unexpected places, such as Song of Solomon, also known as Song of Songs, a book found in the Old Testament. But if you want an account of longing at a distance, a celebration of sexual intimacy, praise for lust and passion, then this is where you’ll find it: “How much better is thy love than wine!” declares Solomon, “By night on my bed I sought him…” speaks his lover. The lovers were not married and lived separately, and were perhaps in the early days of their courtship. The verse describes their visits to each other in erotic detail, and their yearning for each other when apart.

A slightly more traditional and obvious source for love poetry in the English language is, of course, William Shakespeare. Sonnet 98 gives us a meditation on love and distance. In it the speaker is so distraught that their lover is not present, they can no longer recognise the beauty of nature, even as spring bursts into bloom around them.

Love lost and changed with time

Distance is not always about a physical measurement of proximity though, it can also relate to the passing of time. Lost love, love that is no longer and first loves are all forms of love that are unreachable through time.

One example that speaks to this kind of love can be found in former Poet Laureate Ted Hughes’s Birthday Letters, his final collection. Hughes’s relationship with his first wife, poet Sylvia Plath, has been much written about. People have long been fascinated with the turbulent trajectory of their relationship and the tragic end to Plath’s life.

Ted Hughes and Sylvia Plath.
Ted Hughes and Sylvia Plath.
Flikr, CC BY

Many years after Plath’s passing, Hughes produced a collection of poems that he wrote throughout the decades after her death. It was published months before his own death and it can be read as an homage, a marking, an exploration and a final word on his passionate relationship with Plath:

I look up – as if to meet your voice

With all its urgent future

That has burst in on me.

For a more contemporary take on past love, I recommend reading Kim Addonizio, who has previously won the Pushcart Prize, a Guggenheim Foundation award and many other accolades. Love is a topic she returns to in her work time over. In her poem Stolen Moments she takes the reader back to the early throes of love, to an instance where it feels like love will never end, in which she finds a perfect memory of what it is to feel in love:

Now I get to feel his hands again, the kiss

That didn’t last, but sent some neural twin

Flashing wildly through the cortex.

Alice Willitts’ recent publication With Love is a collection in which every single title begins with the word “love”. In her poem love / couples who sleep in separate rooms live longer, she refuses to trade possible health benefits for the joy of being able to:

…open a dozy eye

right into your precious face




Read more:
How to write a love poem


Love from afar and in the moment

Another former poet laureate, Carol Ann Duffy, explores the complete arc of a romantic relationship, from the heady beginnings to the crashing end, in her collection Rapture. The opening poem, Text takes us through feelings of anticipation, excitement and desire as experienced in a brand new relationship. The moment of waiting for a lover’s message to appear on your phone, the thrill of the ring tone as it is received, the compulsion to read and reread it, over and over.

I tend the mobile now

like an injured bird.

We text, text, text

our significant words.

In the past year Duffy has invited poets from around the globe to write directly of their time during the pandemic. This has resulted in a large body of poetry, which will act as a record of lived experience from the pandemic’s earliest stages.

In the scores of poems on the project website, it is interesting to see how the themes of distance and relationships have shone through. For the poet Kim Moore:

now distance is a physical thing

that has crept into my heart

One of the most thought-provoking poems on the site draws on our primal need for intimacy as humans. It’s a need that cuts through familial, platonic and romantic relationships. In her poem Harbour Grace Nichols is willing to trade all, “for the simple harbour of a hug”. If you are unable to reach for a hug this Valentine’s Day, then finding one in a poem could be the next best thing.The Conversation

Kate North, Reader in Creative Writing, Cardiff Metropolitan University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Five coming-of-age novels where class and love collide



Normal People has been adapted for the BBC. It follows the love story of Connell and Marianne as they navigate love, class and the tricky journey into adulthood.
BBC/Element Pictures/Hulu

Kelly Beestone, University of Nottingham

Young Adult Fiction (YA) picks apart first experiences, good and bad. They are often stories about the psychological and moral growth of a protagonist, which balance romance with social issues such as gender, race and class. Although marketed to an older audience, Sally Rooney’s 2018 novel Normal People shares many of the tropes of great YA fiction. A coming-of-age story, its lead characters, Marianne and Connell, navigate love and class while developing a better understanding of who they are and want to be.

The fact that such a popular book targeted at an adult audience shares many similarities with YA is not surprising. For over a decade now, YA fiction has enjoyed a growing readership. Although it is aimed at teens, the books have proven popular with adults too. According to a survey by Bowker Market Research in 2012, 55% of YA book purchases were made by adults, and 78% of those adults said the books were for themselves.

With Normal People having just been adapted for television, people have once again been won over by Rooney’s quiet but powerful story of love and pain. Search for the book and you are sure to be presented with the question “What should I read after Normal People?”. So for those lusting for more, here are five YA books to fill the hole left by Connell and Marianne.

The Hate U Give by Angie Thomas

One of the most famous books on this list, The Hate U Give was lauded for its no-holds-barred approach to some of America’s most contentious issues, including the weaponising of racial stereotypes and the killing of unarmed Black people by police. The book’s protagonist Starr is from the poor black neighbourhood of Garden Heights. She’s forced to witness the police shooting of her childhood friend, Khalil. While demanding justice, Starr attends a mainly white private school where to fit in and avoid stereotypes, she changes almost everything about herself – her style of clothing, her language, and her connection to Khalil. She also dates a white boy who doesn’t understand why Starr feels alienated at the school. Thomas explores their relationship with an expert touch, examining the nature of poverty and class privilege that is often intertwined with race.

American Royals by Katharine McGee


Penguin

A funny “what if” novel where George Washington became the first King of America after the Revolution. It follows three royal children: Bea, Jefferson, and Samantha, as they navigate romance in the public eye and their feelings for partners who are considered unworthy because of their working-class backgrounds. McGee states that her fiction is heavily inspired by British royalty. The book does an excellent job of analysing the pressures of fame and the responsibility of monarchy through the lenses of class and gender. American Royals examines the detrimental effect of social scrutiny of the rich and famous and in many ways echoes the criticism levelled at the British paparazzi in the wake of Princess Diana’s death.

Pride and Prejudice by Jane Austen

It may seem odd to refer to Pride and Prejudice as YA but, like Normal People, it does share many of the same tropes of the coming-of-age story. It is about a young woman navigating the path between girlhood in the family home to adulthood through marriage.

Austen’s prose is witty and tongue in cheek, offering glimpses into the aristocratic society of Regency England. A book ahead of its time, Pride and Prejudice is outrageously funny in its critique of gender and class. Elizabeth breaks the mould of feminine conformity as an intelligent woman who is unafraid to speak her mind. Austen is careful and meticulous in her attempts to distinguish the term “gentleman” from the term “aristocrat”. In doing so she reveals that the two are not indistinguishable – the men in her fiction are often aristocratic, but their class status does not excuse their problematic actions.

The Education of Margot Sanchez by Lilliam Rivera


Simon & Schuster Books for Young Readers;

Like The Hate U Give, Rivera’s coming-of-age novel puts the relationship between race and class under a microscope. Margot struggles with reconciling her conservative Puerto Rican upbringing with the lives of excess and indulgence of her friends from her mostly white prep school. After she’s caught stealing her father’s credit card to impress her friends, Margot is forced to serve time in the family’s grocery store in the Bronx. There, she meets Moises, an ex-drug dealer fighting against gentrification and the eviction of local Latinx citizens to make way for luxury apartment blocks. It’s an engaging story that does not hold back on its criticisms of stereotypes and depictions of poverty caused by societal racism.

The Raven Boys by Maggie Stiefvater

For something different but in the same spirit, this is a fantasy tale of unlikely lovers – sensible Blue who comes from relative poverty and Gansey, the king of the local elite boy’s school, Aglionby Academy. While Blue holds down an after-school job and makes her own clothes, Gansey is rich and well connected.

Gansey blunders his way through talks about money and privilege, and regularly upsets his friends with his ignorance and his belief he can buy his way through life. He throws money at situations and people expecting it to solve problems, including bribing the school to not expel a troubled friend. Through Blue and Gansey, Stiefvater utilises the popular YA trope of star-crossed love. A trope that is based on class divides and magic that can be traced back to canonical texts such as Dante’s The Divine Comedy and Shakespeare’s Romeo and Juliet.The Conversation

Kelly Beestone, Assistant Researcher, University of Nottingham

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Parents play a key role in fostering children’s love of reading



Reading books with your child means children learn to connect reading with feelings of warmth and sharing.
(Shutterstock)

Lorraine Reggin, University of Calgary; Penny Pexman, University of Calgary; Sheri Madigan, University of Calgary, and Susan Graham, University of Calgary

Learning to read is one of the most important developmental achievements of childhood, and it sets the stage for later school and life success. But learning to read is not straightforward. As child development researchers, parents often ask us how they can help their children to become good readers.

Parents can play a key role in supporting the development of children’s early language skills and fostering a love of reading, before and after children start formal schooling.

Literacy begins early

The building blocks of literacy are laid down during infancy. Even newborn babies’ brains are sensitive to the sounds and complexities of language. Babies don’t just need to hear language, they need to participate in language too.

Even though babies may only be able to say sounds like “ga,” “ba,” and “da,” they benefit from having these sounds repeated back to them in what are called conversational turns. A recent study found that the number of conversational turns between babies and parents is a key ingredient to building language skills.

The number of conversational turns between babies and parents is key to building language skills.
(Shutterstock)

So, when your baby says “ba,” respond. You can repeat “ba” or ask “Is that so?” or try to guess what they are saying (“Did you see a ball?”).

We know that babies who hear more words, speak more words and who hear more complex language produce more complex language later in childhood. These language skills help children get ready to read.

Early childhood

As babies turn into toddlers and preschoolers, their language gets more complex and they start to build the knowledge of words that they will eventually need for reading. By building language skills, preschoolers are also developing the attention, memory and thinking skills that will prepare them for school.

Preschoolers benefit from having books read to them. When parents read to children, it helps build children’s vocabulary and expands conversations. You can start with short picture books like Goodnight Moon and move onto longer picture books like Where the Wild Things Are or Corduroy.

Preschoolers also learn important language skills during play. Board games, games like “I Spy,” singalongs and acting out stories all help build the language skills they need for learning to read. When parents interact and talk out loud with toddlers and preschoolers during play, it supports the child’s learning of sounds and words.

Reading books and talking with your child helps your child build a positive attitude towards language and literacy.
(Shutterstock)

Having conversations, reading books to your child and playing with your child are all activities that help your child build a positive attitude towards language and literacy. They will learn to connect reading with feelings of warmth and sharing. You can encourage them to choose the books, and the place where you will read them, and in turn start to foster their identity as a reader. These positive experiences support your child’s emotional and intellectual development.

Ready to read

Researchers have long debated how children learn how to read, and how best to teach them. Today, it is clear that children need explicit phonics instruction (learning which sounds match different letters), lots of practice, and support for understanding written material. This means that children must learn how to “crack the code” of reading.

Children need to learn that lines, curves and dots make up a letter and that each letter matches to a sound. Although the English language has 26 letters, these letters make up 44 different sounds. Children start to learn that the letters are paired up with certain sounds through various activities at school, and you can help your child practise when they read out loud to you at home.

Once children have learned to map sounds to letters, they need to learn to map the sounds to meaning or match the sounds to the words they know. They also need to build reading fluency. Fluency means reading accurately, smoothly and with expression. As a child gains fluency, they read more naturally, faster and more easily.

As a child gains reading fluency, they read faster.
(Shutterstock)

Parent tips for early readers

Most children begin home reading programs in Grade 1 and continue with home reading into grades 2 and 3. Below are some suggestions for nurturing and building a positive home reading experience.

  1. Try to set aside at least 15 minutes a day for reading time.

  2. Consider the factors that set reading up for success in your home. For example: What times of day might work best for your child to do their home reading with you? Where do they most like to read, on the couch or in their bed?

  3. Practise reading books that are simple and easy for your child to repeat. If your child cannot get through the book, the level may be too advanced.

  4. Point out periods and commas where your child should pause, and talk about using different voices. Point out different kinds of expressions. For example, if the character in the story said “STOP IT,” you could explain to your child that they could use a louder voice.

  5. Indulge and support your child’s love of certain stories. The best way for children to become fluent readers on their own is through practice, and repeating beloved stories is one way to encourage practice.

  6. Continue to read to your child. When parents read, children can listen and enjoy books that they wouldn’t be able to read yet. This helps build their vocabulary and enjoyment.

  7. Check your child’s understanding of the book. You can help your child by asking questions before, during and after reading. Your questions create opportunities for conversation. You might ask questions like:

“Why do you think the children snuck downstairs?”

“Does this story remind you of anything we have done?”

“Leaped is an interesting word. What does that mean? Do you know another word we could have used there?”

Then you could mention jumped, hopped or skipped.

Some children will learn to read more quickly than others, but all children need practice to become skilled readers. A consistent home reading program can start children on the path to literacy and all of its benefits.

[ Thanks for reading! We can send you The Conversation’s stories every day in an informative email. Sign up today. ]The Conversation

Lorraine Reggin, PhD student, Cognitive Psychology, University of Calgary; Penny Pexman, Professor of Psychology, University of Calgary; Sheri Madigan, Assistant Professor, Canada Research Chair in Determinants of Child Development, Owerko Centre at the Alberta Children’s Hospital Research Institute, University of Calgary, and Susan Graham, Professor and Director, Owerko Centre, University of Calgary

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Advice on Getting Young Non-Readers Into Books


Do you find it difficult to share your love of reading with the kids? Perhaps you are frustrated that the kids love digital games more than reading. The link below is to an article that may provide some help in getting young non-readers into books and reading.

For more visit:
https://www.spokesman.com/stories/2019/jul/12/helping-non-readers-love-books-librarians-and-othe/

Best Books About Love Set in 100 Countries Around the World


The link below is to an article and infographic that takes a look at the best books about love set in 100 countries around the world.

For more visit:
https://ebookfriendly.com/best-books-about-love-100-countries-infographic/

Love of bookshops in a time of Amazon and populism



File 20170810 27672 n64m24
Saturday is Love Your Bookshop Day –
but bookshops face many challenges.
Shutterstock

Nathan Hollier, Monash University

There was genuine positivity at this year’s Australian Booksellers’ Association Conference in Melbourne in June. The mood was one of camaraderie and optimism at the sharing of good news. And it only brightened with the news that our National Bookshop Day was to be rebranded this year as Love Your Bookshop Day. Why not?

Saturday is that day. Expect to see your local bookshop buntinged, postered, streamered and perhaps offering special bargains. Assuming, of course, you have a local bookshop.

Store numbers have steadied in recent years and, as was reported at the conference, both independent and chain or franchise booksellers are expanding. Children’s book sales in particular are performing well. (“The bookshop is dead. Long live the bookshop,” reads a plaque at Embiggen Books in Melbourne’s CBD.)

But over the past couple of decades the sector has wrestled with the challenges of superstores, GST, the GFC, one-sided international post deals, ebooks and online-only undercutters.

Now the greatest of these online stores, certainly in terms of market share, will soon be competing with Australian bookstores from a new base here. Amazon has secured a massive distribution centre site near Dandenong in outer-eastern Melbourne. Dire predictions for parts of the Australian retail sector have already been made.

Local booksellers too will need to adjust to this new environment, in which Amazon will likely reduce its delivery time and charges significantly. This will place downward pressure on book prices, and thus booksellers’ margins and capacity to survive.

Amazon has itself experimented with physical bookstores in recent times, to underwhelming reviews, but its primary focus has, of course, been on being able to offer “everything” at the “everyday low prices” of its American precursors (and sometime role models), Walmart and Costco.

Today’s booksellers must choose what to put on their shelves from around 7,000 new releases each month. As all of these will be on the “shelves” of Amazon, local booksellers will need to maintain an intimate knowledge of what will appeal to their customer base.

This curatorial role, which has always been part of what good booksellers do, takes on extra importance in the digital age. Curating, one might say, is the opposite approach to that of Amazon, which instead expertly removes barriers to purchasing, encouraging impulse buying. The extra services local booksellers provide, in addition to low prices and the range of stock, will likely need beefing up also. Community building will be the order of the day.

The current shrinkage of review pages of broadsheet newspapers will also hurt many bookshops, as they depend on a degree of consensus as to what is important and valuable to read.

Price instability may well grow in Australia with the arrival of Amazon. Publishers have argued over the decades that this instability also discourages consumer confidence.

The Productivity Commission doesn’t accept arguments in favour of maintaining price levels for some products in order to keep the costs of others down. But regulatory bodies have special challenges when confronted with large, diverse conglomerates, such as Amazon. It has the capacity to drop prices for products in one category (such as books) to maximise competitiveness, while the overall bottom line is propped up by more profitable parts of the business (such as Amazon Web Services).

In the face of aggressive price cutting from firms like … well, Amazon … regulatory bodies concerned with fair prices for consumers are yet to find an effective means of properly accounting for the fact that its success has been partly based on exploiting publicly developed (and funded) technology and infrastructure, determined strategies of tax minimisation, aggressive use of IP and patent law, and sustained intransigence towards its workforce’s self-organisation and unionisation.

Andy Griffiths: a bookshop favourite.
Carol Cho/AAP

On Tuesday morning this past week, a crowd of parents and kids waited in the cold out the front of our local suburban bookshop till, at 9 o’clock, they could rush in and buy the latest Treehouse book, by Andy Griffiths. The bookseller handed out free copies of a quality cookbook to parents. Community spirit, human connectedness and customer loyalty all bloomed nicely.

As the legendary Collins bookseller, Michael Zifcack, recalled in his memoirs,
“I realised early on that customer service was the secret of successful bookselling.”

I’ll be heading to that local shop on Saturday, but can also, of course, appreciate the access to more or less every available product that online shopping provides. No doubt there is room for both retail models within our society.

What remains most important, when thinking about the health of the book industry here, is that no matter how cheap we make these products, there won’t be effective demand for them unless people have the time and desire to read.

The ConversationThis desire, in turn, rests most powerfully on the belief that what one knows and says matters; that democracy, its public sphere, and reason, evidence and logic are the driving forces of one’s society. For all of us, that challenge is ongoing and, broadly speaking, we will get the books and bookshops we deserve.

Nathan Hollier, Director, Monash University Publishing, Monash University

This article was originally published on The Conversation. Read the original article.