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5 great reads for young critical thinkers



An image from the book cover for ‘SLAY,’ one of the top 2019 five books for young critical thinkers.
(Simon and Schuster)

Heba Elsherief, L’Université d’Ottawa/University of Ottawa

At this time of year, “best of” lists abound, vying for our attention. But teachers and parents committed to principles of social justice are generally left searching for something more than the usual top 10 list of best-of books.

We hope the reads we give are not just entertaining but also educational.

I’ve previously written on children’s literature and presented book lists for critical thinkers on The Conversation Canada. The authors I listed lead to a treasure trove — for example, S.K. Ali’s Love from A to Z — but what follows is a new list of recommendations. They are books published from September 2019 that I hope will both entice readers and foster critical thinking.

This book list is not exhaustive and I present it more as suggestions — ones that may warrant further research. Teachers and parents will want to look up any trigger warnings.

Also, I recommend adults read books along with younger readers: it’s vital to meaningful conversations. I think adult readers may be pleasantly surprised by the rich and important storytelling happening in the young adult literary world.


‘All American Muslim Girl’ book cover.
(Macmillan Publishers)

All-American Muslim Girl, by Nadine Jolie Courtney, defies what you think you might know about female Muslim representation in an American context.

Allie Abraham is the main character whose born-Muslim father dislikes that she’s becoming more spiritual. The family has just moved to a small town, a microcosm of a nation where Islamophobia has become normalized. Allie falls for the son of Jack Henderson, the county’s “shock jock” behind the spread of hatred.

It’s a quiet but complex story about the search for identity and learning to find your own way. Allie is a likable character whose moral compass is wholesome and whose struggles to sift through opposing influences read as authentic and heart-warming. There’s an education and historical element to be found here on Circassian Muslims.


Book cover for ‘The Fountains of Silence.’
(Penguin Random House)

The Fountains of Silence, by Ruta Sepetys. Since reading Sepetys’ Salt to the Sea, probably one of my most recommended historical YA novels, I’ve been on the lookout for her work. In her latest, Sepetys takes readers to Spain in the 1950’s under the fascist dictatorship of Francisco Franco. Beyond giving us a look into the sorrow-filled aftermath of civil war, there are lessons here for those dealing with questions of privilege and the responsibilities to do something positive with that privilege.

Daniel Matheson is the protagonist photographer and son of an American oil tycoon who falls in love with Ana, the hotel maid and daughter of parents killed and imprisoned by the regime. She needs to keep silent in a country that relies on controlling people by fear. But Ana finds herself confiding in Daniel and Daniel begins to look beyond what he thinks he sees on the surface.

The best historical novels say something about contemporary times as well and Sepetys doesn’t disappoint. Readers will find parallels that speak to our silences regarding blatant injustices happening today.


SLAY, by Brittney Morris, is one I’d been hearing about for a long time before its September release. People called it a mash-up of The Hate U Give, and Ready Player One with a Black Panther-esque gaming world at its core.

Kiera Johnson is pretty much the only Black girl into STEM at her mostly white school. Beneath her honours persona, she’s hiding a secret life as the developer of an online game called SLAY. The game is supposed to be a safe-space for hundreds of thousands of Black gamers but when a teen is murdered in real life over a dispute in the game world, the game is exposed to accusations and threats.

Kiera fights to protect the world she created on several fronts. Although this is a novel that defies what stereotypes of Black girlhood may look like, it is also a super-inspiring read about the power of aligning your dreams with making the world a better, more inclusive space.


Book cover for ‘The Grace Year.’
(Macmillan)

The Grace Year, by Kim Liggett, has already been optioned for film and been compared to The Hunger Games and The Handmaid’s Tale. It does not have an obvious diversity element built into it but it does have its strengths for critical readers.

It’s a dystopian story about Tierney James who lives in a patriarchal, puritanical society that sends girls in their 16th year out to “release their magic” into the wild. The belief is that girls on the cusp of womanhood have an energy that, unless expended, would bring the moral degeneration of their community. In the author’s note at the end, Liggett tells the story of how she was inspired to tell this story because of “the things we do to young girls.”

This book isn’t for the faint of heart. The prose is elegant and captivating, but the world is cruel and disturbing. The book was hard to read at times despite its female empowerment message. Accordingly, for this recommendation, I’d stress the necessity of reviewing the trigger warnings.


Book cover for ‘It’s a Whole Spiel.’
(Knopf)

It’s a Whole Spiel: Love, Latkes, and Other Jewish Stories, edited by Katherine Locke and Laura Silverman, is for readers who prefer shorter stories rather than one long tale. Some are funny, others are sad, but all, in one way or another, address what growing up Jewish meant to the writer.

Bursting with diverse and intersectional representations (there’s queer and disabled reps here too, for instance), this anthology, much like All-American Muslim Girl, demonstrates that people of marginalized faiths aren’t a monolith and defy the stereotypes around them.

This book would be great for young Jewish readers, certainly for the chance to see themselves reflected in the books they read, but I see the benefit for non-Jewish readers as well. As children’s literature scholar Rudine Sims Bishop explains, books can be as windows, mirrors and sliding doors. Bishop wrote:

Books are sometimes windows, offering views of worlds that may be real or imagined, familiar or strange. These windows are also sliding glass doors, and readers have only to walk through in imagination to become part of whatever world has been created and recreated by the author. When lighting conditions are just right, however, a window can also be a mirror. Literature transforms human experience and reflects it back to us, and in that reflection, we can see our own lives and experiences as part of the larger human experience. Reading, then, becomes a means of self-affirmation, and readers often seek their mirrors in books.

Rudine Sims Bishop, author of the essay ‘Windows, Mirrors and Sliding Glass Doors’

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Heba Elsherief, Adjunct professor in Education, L’Université d’Ottawa/University of Ottawa

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Five great reads to help teens become critical thinkers



File 20171212 9404 1vk4zo3.jpg?ixlib=rb 1.1
Whichwood is one of five great reads for teens that highlight authentic experiences, marginalized voices and critical thinking.
(Dutton Books)

Heba Elsherief, University of Toronto

Young adults who are, perhaps, still figuring out their needs don’t need to be overburdened with books they won’t like. The last thing we want is for a young reader to get turned off and lose out on the immeasurable benefits reading provides.

As a researcher looking at diverse representations in young adult literature, I often get asked for book recommendations.

Since I believe all readers are looking for an emotional connection to a story, I start with authenticity as my keystone. In order to form a connection with the experiences of characters, including their travel and journeys to new places, the writing should emerge from a place of authenticity.

Diversity plus critical issues

Author Corinne Duyvis started the hashtag #Ownvoices in 2015 to promote this idea of authenticity and “to recommend kidlit about diverse characters written by authors from that same diverse group.”

Very basically, when an author shares one or more of the marginalities of their diverse protagonists, it is considered to be included in #Ownvoices. In terms of diversity, most publishers use the definition put out by We Need Diverse Books: “…including (but not limited to) LGBTQIA, Native, people of colour, gender diversity, people with disabilities, and ethnic, cultural, and religious minorities.”

The hashtag has taken on a life of its own since Duyvis recommended its use. Many published books now market themselves based on #Ownvoices. And Goodreads lists have taken up this call as well. Readers looking for #OwnVoices will find many suggestions – and many more coming in the new year.

I hope this is a turn in publishing and that the well of marginalized stories written by authors most qualified to tell them never runs dry. It’s the surest way to an authentic, empathy-promoting experience for readers.

The current Top Five

Many of the teachers or parents asking for recommendations are hoping to give young adult readers an exercise in critical literacy to provide them with the opportunity to think about something long after the final page is turned. By “something,” I mean an important social issue or nuanced knowledge about a difficult concept or historical time period.

If a book meets both of these criteria — and if I’ve read it myself or have placed it on my “to be read” shelf — it warrants a recommendation.

Here are five books, very recently published (between September and December of 2017), that have made my list. At the end of each book description, I’ve included a question that might serve a critical thinking discussion once the book has been read.

This list is clearly not exhaustive and I present these as suggestions — ones that may warrant further research. Teachers or parents who know the readers they’re offering books to may need to look up any trigger warnings beforehand.

I recommend adults read books along with younger readers: It’s vital to meaningful conversations. I have left questions in my descriptions to prompt some discussion. Furthermore, I think adult readers may be pleasantly surprised with the rich and important storytelling happening in the young adult literary world.

Starfish by Akemi Dawn Bowman

Starfish.
(Simon Pulse)

Starfish (Simon Pulse) features Kiko, who suffers from anxieties. She’s waiting to escape an abusive family situation by getting into the art school of her dreams but when she doesn’t get in, she takes the opportunity presented by a childhood friend to tour other schools.

Kiko, the main character who is half-Japanese, takes a journey that ends up being one of personal growth. The journey allows Kiko to embrace who she is, to learn more about her heritage and to speak up for herself. The writing is lyrical and endearing and we get a lot of Kiko’s internal thoughts and feelings.

There’s a love story here too. I would have liked it if Kiko’s path to self-love was not so knotted up with her childhood friend. But perhaps that’s me being old and young adult readers will like this aspect the best. What will you and your young adult readers think?

They Both Die at the End by Adam Silvera

They Both Die at the End.
(Harper Collins)

They Both Die at the End (Harper Collins) is an interesting genre mashup — both speculative and contemporary. With the whole “there’s an app for that” times we live in, it feels very timely.

In an alternate reality, two teen boys spend a day together after learning it will be their last. There’s diverse representation here and definitely a message that seems suitable for young people attached to their phones at the expense of experiencing the world and making real connections.

In my literature classes, we talk a lot about how classic children’s books tend to have “didactic” elements – morals embedded into them and modes of socialization or teaching children how to be in the world. Thinking through themes a writer develops, how do contemporary didactic modes operate here or in young adult literature more generally?

Dear Martin by Nic Stone

Dear Martin.
(Crown Books)

Dear Martin (Crown Books) takes up the story of Justyce McAllister, a full-scholarship, Ivy League-bound, Black 17-year-old boy who learns that when it comes to racism, none of these accomplishments matter.

The title takes its name from the letters Justyce writes to Martin Luther King, Jr. while he grapples with racial tensions and police oppression. It’s a story that seems ripped straight from the headlines and has been compared to The Hate U Give, this year’s very successful YA book by Angie Thomas. Both of these books are important and necessary, and sadly, deal with inequalities that plague young adults of colour. How can literature combat systematic oppression and social ills?

Warcross by Marie Lu

Warcross.
G.P. Putnam’s Sons Books for Young Readers

Warcross (G.P. Putnam’s Sons Books for Young Readers) has already wracked up a record number of positive reviews from readers. It’s a new series by the author of other YA favourites, including The Young Elites series.

In it, teenage hacker Emika Chen finds herself embroiled in a virtual reality game that’s taken over the globe. It’s an international spy adventure with a diverse cast in a near-future sci-fi world and it’s pretty awesome!

I think this one will organically prompt a discussion about “global virtual crazes” – and while its clear these virtual crazes might be ‘bad’ I wonder if there are positives to be found also?

Whichwood by Tahera Mafi

Whichwood.
(Dutton Books)

Whichwood (Dutton Books for Young Readers) is the second book set in the Furthermore world. The first was a middle grade book but this one has been aged up to Young Adult. Inspired by Mafi’s Persian culture, it tells the story of Laylee, a 15-year-old with so much tragedy in her life, tasked with washing bodies of the dead to prepare them for the afterlife.

The ConversationI’ve long been a fan of Mafi’s — her writing is lush and her worlds are so imaginative. Moreover, it always feels like everything she writes is a metaphor for something larger. But because her plots are so gripping, it’s not always apparent what exactly. Notwithstanding that themes in literature vary depending on individual reader’s responses to content, what do your readers find are the takeaways in this one?

Heba Elsherief, PhD Candidate, Language and Literacies Education, University of Toronto

This article was originally published on The Conversation. Read the original article.