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Emily Bell: Journalism in the age of Trump and the real-time social web


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Donald Trump might not spend much time on social media, but he has an acute understanding of how virality in media works.
Reuters/Shannon Stapleton

Emily Bell, Columbia University

This is an edited extract of the 2016 A. N. Smith Lecture in Journalism, delivered by Emily Bell, the founding director of Columbia University’s Tow Centre for Digital Journalism, at the University of Melbourne on March 15, 2017.


The 2016 US presidential election tells us a great deal about the current state of the news media and, more importantly, about the information environment we are operating within. Some of it is shocking, some is deeply worrying, and some of it is hopeful.

There are four key things Donald Trump’s election tells us about the state of journalism today.

The new fusion of media, power and technology

It is the early morning of Sunday, March 5. All over the east coast of America, journalists’ phones vibrate with alerts. So it begins: the president is awake, and he is angry.

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It is as well, with the terrible decline in the popularity of The Apprentice, that we have another mesmerising show to keep us on our toes.

Imagine being an American political journalist. Every Saturday and Sunday at 6AM or 7AM, your phone buzzes with a message from the president.

Barack Obama “had my wires tapped in Trump Tower”. Quite a serious allegation. Presidents have been impeached for less. Press Secretary Sean Spicer was at pains to point out the next week that this is not literally what Trump had meant – it was a broader referral to the activities of agencies and surveillance during the campaign.

Welcome to 2017 in the United States of America, where we can experience government in real time, sometimes even before the people in power find out about it themselves.

As journalists who cover Trump have told me, the president, like his audience, reads newspapers and watches cable news. This is why he tweets early in the morning, often about stories that broke on social media the previous day. He opens the “failing” New York Times and, provoked by their “fake news”, he is off.

Trump might not spend much time on social media but he has an acute understanding of how virality in media works, and what the dynamics are that are needed to activate an online following to amplify your message.

How to cover the president is an abiding press topic, because he is unlike any president most have ever seen. Invitations to press conferences where journalists were ignored or insulted. Press huddles that suddenly elevated outlets like OANN or Breitbart above the “failing” New York Times and the “fake news” Washington Post.

In elevating Breitbart’s Steve Bannon to be his chief strategist, Trump has consolidated the idea of putting media presence at the heart of his administration.

There were many media commentaries suggesting that journalists should boycott the press room at the White House. Another extended hand-wringing session took place around whether or not to cover Trump’s tweets at all – again, were the media being played? Was access journalism getting in the way of real stories? And there were questions on how to deal with Trump’s apparent lack of interest in whether something was true or not.

What has happened is that Trump’s Twitter feed and the White House press room have become the live rails of this administration. If you start to think about Trump and Bannon as a media organisation run from the Oval Office, it makes sense that the PR channels of the press room and a Twitter feed with 25 million followers are actually now live policy theatre.

The tweeting, the press conferences and the rallies are confusing for us because they feel like smokescreens. Even more unsettling is the notion that they are not smokescreens at all, but they are the actual presidency.

Political messaging on social media has come of age in a powerful way. In the election of Rodrigo Duterte in the Philippines, we saw similar patterns of deployment as we did in the Trump campaign: tight circles of hyperactive fans and bots on social media that co-ordinate to tweet hashtags signalling the campaign’s most important messages in a repetitious cycle: #TrumpWon, #CrookedHillary, #HillarysHealth.

These are commonly used tactics, and they are bipartisan. Hillary Clinton’s campaign was just as active in similar ways.

But, for Trump, the use of real-time communication was not simply an election tactic: it is his modus operandi. Effectively, the substance of the US government is being shaped by a social media app.

Donald Trump appointed media executive Steve Bannon to his inner White House circle.
Reuters/Kevin Lamarque

Online media reinforce homogeneity of view

According to the Pew Research Centre in the US, more than 70% of the population now has a smartphone. Of that universe, more than 60% get news through social media. Around 45% of US adults say they get news from Facebook. This is an enormous amount of power concentrated in one newsfeed algorithm.

For more than a decade, 1,000 flowers bloomed on the open web, and 1,000 tabs opened on each desktop.

This diversity is threatened with the commercialised, mobile social web. Smartphones and social media, which work in lock-step to focus our attention on the smaller screen, have been a great rebundling of news services – and a great rebundling of all services.

Facebook, I once observed, was swallowing journalism. But it is also swallowing everything else too.

As the user base has grown from millions to hundreds of millions to billions, the sorting algorithms target us not to show us everything – that would be unmanageable and absurd – but to show us each our own heavily personalised version of the world.

The ubiquity of social media and the way its business model works, targeting us with more of what we like, is an open invitation to stay in our lane – in our interests, our geographies, our views, our media and our lives.

The really efficient thing about social media is we don’t have to even try to do that ourselves anymore. The mysterious algorithmic underpinnings of Google and Facebook do it for us, and we don’t even notice. Until we miss something that happened in someone else’s lane. For liberal America, Trump happened in someone else’s lane.

Breitbart, more than any other news site, represents the noisy voice of the far right. Two weeks ago, the Berkman Klein Center for Internet and Society at Harvard released a paper that looked at how a large, fast-growing, right-wing news ecosystem had grown rapidly within Facebook in a relatively short time. Breitbart is the epicentre of that particular echo chamber.

The researchers mapped how that particular ecosystem works. They noted that most of the new hyper-partisan right-wing websites saw few links with the mainstream media, that the readership on the right was more isolated, and that the sites were very efficient in recycling the same themes – Trump’s anti-immigration stance, and Clinton’s emails.

As the campaign wore on the Harvard study notes the attacks were routinely targeted at both Clinton and the “mainstream media”. These messages were also repeated often by Trump. The campaign for him was arguably never about policy development: it was about a ratings-driven approach to winning.

The study’s authors say:

Use of disinformation by partisan media sources is neither new nor limited to the right wing, but the insulation of the partisan right-wing media from traditional journalistic media sources, and the vehemence of its attacks on journalism in common cause with a similarly outspoken president, is new and distinctive.

One of the remarkable things about the 2016 election was how the two worlds of polarised opinion could co-exist without any central arbitration by more moderate “connectors”.

The independent press should have a role here to moderate and foster argument from the point of view of trying to reach a broad consensus. But there is only a small incentive left to do that.

Watching a Trump press conference on Facebook Live video streamed from the Washington Post’s page showed only glowering angry emoji faces. The same stream, viewed from Fox News’ page, had only smiles.

I have wondered more than once during this election cycle whether the American media landscape is particularly badly affected by the encroachment and rise of newer, less-well-known and more-partisan forces because it lacks an equivalent of the ABC or BBC.

Facebook is swallowing journalism – and everything else.
Reuters/Regis Duvignau

Obsession with ‘fake news’ obscures the real problems

There is something mesmerising about watching what happens when people are able to continually lie without facing the consequences.

After his initial Obama wiretapping accusations, Trump officials adjusted their body language about the reasons to believe, or not believe, that this “wiretap” had happened.

The story seems to have originated on right-wing talk radio and was picked up by other right-wing media, and then repeated by Trump on Twitter. If this is not true, though, what are the consequences?

Does a lack of truth matter? The tweet is not about the truth: it is about enriching a distracting narrative.

As a profession and a field we have to acknowledge the role we have played over many years in creating a commercial media environment that places higher priority on readership, ratings and reach than on the absolute integrity of information.

The open web was meant to make this better. It was initially a great big engine for correcting and contesting what is published. Instead, on balance, the form of the web we have at the moment enables bad journalism as much as, or maybe even more than, it helps good journalism.

The key to this is in the workings of the advertising market. It is increasingly automated, and decreasingly regulated.

In a digital microtargeted environment, ads are sold not against the integrity of the publication hosting them, but on the value of the person seeing them. Why pay the Wall Street Journal’s ad rates when you can buy one of their desirable readers a couple of sites or pages away?

And how to engage those readers? Well, good jokes and sensational content works better than nuance and complexity.

A combination of human nature, commercial marketplaces and sophisticated large-scale technology has combined to produce almost-perfect conditions for the proliferation of lowest-common-denominator material. The “fake news” epidemic is not new either, but the electrifying possibility it might have contributed to upending democracy has pushed it to the forefront of the debate.

I am not a fan of the phrase “fake news”. The term in Trump’s hands can mean “news you don’t need to pay attention to” or “news I don’t like”. We ought to be calling propaganda what it is, and calling misinformation and lies what they are too.

Buzzfeed media editor Craig Silverman has been into this issue for years. In 2015 he wrote a white paper for the Tow Centre entitled Lies, Damn Lies and Viral Content. It looked at the growth of precisely this epidemic in rumours that circulate through social media at lightning speed and are proliferated and amplified by mainstream news outlets at a much higher rate than they are ever corrected.

It was in the course of doing this work that Silverman started to notice the same patterns confirmed by the Harvard research – notably that the hyper-partisan websites, particularly of the right, were the powerhouses for a particular type of disinformation.

The incentives for feeding made-up stories or maybe even sentiments and stories into this cycle are twofold. First, they are political. Second, they are financial.

In the election these fabricated stories soared in popularity, outperforming the real news stories on Facebook in the closing stages of the campaign.

These were both propagandistic and opportunistic.

“Fake news” was undoubtedly put out by both sides during the election to benefit their preferred candidate. But another type of fakery was manufactured, quite legally, by people who can exploit the attention market for great profit. Someone who actually makes fake news (or, rather, used to) told me he could make US$10,000 from a single post.

In the future, we will see both the automation and more authentic fabrication of material. It is not clear that the platform companies are winning the war with faked propagandistic messages. But it is clear that they have been too relaxed about the type of material that circulates, whether for political or economic advantage.

If the advertising model rewards popularity and shareability – regardless of originality, value and quality – then it is little wonder that it provides a living for a Macedonian teenager but not enough to support core reporting functions in local newsrooms.

Facebook founder Mark Zuckerberg has said he does not want to be the “arbiter of truth” – which is lucky, because at the moment that is a distant aspiration. Perhaps a more achievable aspiration is not to be the enemy of truth either.

There is a cultural confusion within technology companies about how they execute both their ideological and market positions to encourage the maximum participation – but not to edit their platforms.

The major platforms, and Facebook in particular, were unsettled by the result of the 2016 election and the role they might or might not have played in Trump’s surprising rise. Why else would Zuckerberg write a 6,000-word manifesto about the issues facing global citizens and what Facebook could do to fix them?

The social web is visual; it rewards jokes and comments and easily digestible commentary. It rewards feelings and emotions. It rewards intensity of usage and engagement. It does not really care about veracity or verifiability.

Some of this is not new at all. Tabloid newspapers have always had more readership than broadsheets; cartoonists are more famous than op-ed writers. But the uneven distribution of attention on the web, and the algorithmic response to that – broadly promoting more of the same – shows again that the breaking of the distribution monopoly of old media has been replaced by another kind of monopoly, a monopoly of time, or attention.

Fake news has become a meaningless and rather dangerous phrase. But the problem of feeling unsure of what to believe and what not to believe, the obliteration of credible brands and the squeezing of all types of content into the same undelineated window, is very real.

Mark Zuckerberg says he does not want Facebook to be ‘the arbiter of truth’.
Reuters/Stephen Lam

Journalism matters

In Western democracies we have become used to the luxury of being sceptical and dismissive of the importance of a free press. Now in the White House Press Room, on Twitter and Facebook, in the feed of the president of the United States of America, that dismissiveness has turned to an open hostility.

I know why phrases like “post-truth societies” or “alternative facts” or “fake news” have taken hold as a result of the election. It is important, though, to be able to separate media theory from reality. We are not in fact living in a world where facts and truth don’t exist anymore.

People who care about democracy recognise this, and the US has seen what is known as the “Trump bump” for news organisations with subscription or membership models. The “failing” New York Times has seen almost 300,000 new subscribers join in the last quarter of 2016 – more additional subscribers than the organisation managed in the previous year.

The head of digital at another national subscription-based news organisation noted that:

Every time Trump tweets about how terrible we are, another 10,000 people give us money. It’s incredible.

Non-profit investigative unit ProPublica has seen enough voluntary contributions coming in to enable it to open another office. The Committee to Protect Journalists, a great organisation that does the hardest work in defending and protecting journalists around the world, was invoked by Meryl Streep, that “over-rated actress”, on stage at the Golden Globes.

I was recently at a marketing conference full of marketing executives talking on stage to two Washington Post executives who were given a spontaneous ovation – by advertisers.

Despite the rocky professional outlook, there is no decline in the number of people applying to Columbia Journalism School – quite the opposite.

And, underneath this, we have seen some really remarkable reporting and analysis from the campaign trail and now from inside the administration. Leakers are posting material through Secure Drop to newsrooms at unprecendented rates.

The advent of a president who calls the press “the enemy of the people” has galvanised news organisations and handed them a mandate.

And the light the election campaign has shone on what an information environment can become, without regulation and without a hierarchy that reflects civic values, I think has rejuvenated the case for a strong and independent press.

Even Zuckerberg recognises the importance of journalism. On President’s Day weekend, he posed outside the offices of the Selma Times-Journal with his wife, Priscilla Chan, and thanked journalists for their work. Via a Facebook post, of course.

In his 6,000 word manifesto he wrote about what Facebook might do to support journalism more:

There is more we must do to support the news industry to make sure this vital social function is sustainable – from growing local news, to developing formats best suited to mobile devices, to improving the range of business models news organisations rely on.

He did not mention a significant transfer of wealth – but maybe that is coming.

What we have seen in the 2016 election cycle though is very clarifying for journalism. We have seen that the information ecosystem has grown in ways that work against the interests of civic society and good journalism.

The functions of journalism – from the packaging and distribution, to the audiences and branding, to the data collection, and crucially the monetisation – have all been subsumed by much larger systems of power and wealth.

Until very recently, technology platforms were ambivalent or even hostile to the idea that they might bear some responsibility for creating a better public sphere. The election cycle of 2016 has shone a light on that too. There is no such thing as algorithmic neutrality. Platforms and technologies have values, and if they carry consequences, intended and accidental.

Recently, a smart, local start-up in upstate New York, the Watershed Post, announced it could not do what it was doing anymore. A very technically literate two-person team had set up the Watershed Post as a new model for local journalism. Founder Lissa Harris wrote about why they could no longer carry on:

The titans of the web have huge and increasing reach, even in our rural communities. They have sophisticated tools for targeting likely customers by geography and demographics. They have products that a business owner can buy for $5 with a few clicks of a mouse, products that require no human time investment on the other end for design or sales or customer support.

What they don’t have is reporters.

Journalism matters, but the institutions that support and contain reporting are only healthy if they have subscribers, or vast scale, or another source of revenue. In the US, this increasingly means philanthropy, or a return to the wealthy individual sinking hundreds of millions into an uncertain future.

And the promise of the open web – that it would support all type of new journalistic institutions – is unfulfilled.

Reporting, unlike memes and jokes and native advertising, does not scale well on the privatised social mobile web. This is not the fault of one set of people; I don’t believe that the founders of platforms and search companies wanted to destabilise functions that are civically important but financially insecure. And I don’t believe the generation of creative, technically gifted journalists who are struggling with this necessarily did anything wrong either.

The problem is more that the speed of the emerging landscape for media has been so quick, and largely illegible, so free of regulation in nearly all aspects, that rather like financial deregulation before it, we haven’t been able to really grasp the problem until it is almost too late.

I say “almost” because, as an eternal optimist, I think we have an opportunity to make the right interventions to press for systems that favour sustainable journalism. But we have to be organised, and we have to do it now.

We need better collective action in understanding the complexity of the problems, and we need institutions that will not be buffeted by the markets to help work these problems out in the long term.

We also need the attention, wealth and influence of technology companies.

I have been dismayed as a bystander to see how institutions like the BBC in the UK and the ABC to some extent in Australia are not apparently part of the central conversation for this resettlement for journalism. Their own issues are too often framed in terms of the market and not often enough in terms of civic need and what we might require independent media institutions to do to protect democracy.

Too often we have given into the Silicon Valley narrative that old institutions are inevitably going to perish.

The “free market of information” on the web erases the necessity for old-fashioned public interventions, doesn’t it? The market will fix everything, won’t it? I could not disagree more.

Leadership in public-service journalism institutions is at a critical moment where it can redefine its role in relationship to this new landscape; where it can make a strong case for the support of reporting and innovation that can endure separately from the alternate systems of tech power.

Public media is not the only solution, but it is an important element in figuring out how we manage our way through a complicated and rapidly changing commercial converged marketplace.

I was recently at a rather curious gathering in the UK countryside – between NGOs, government, technology companies and journalists – to talk about the crisis in news and information. I can’t do better than repeat the words of one of the attendees:

The ConversationWe should be thanking Donald Trump, because without him we would not be having the long overdue conversation we need about what kind of news environment we want.

Emily Bell, Founding Director, Tow Center for Digital Journalism, Columbia Journalism School, Columbia University

This article was originally published on The Conversation. Read the original article.

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Not My Review: Berlin Syndrome by Melanie Joosten


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David Grossman Wins the Man Booker International Prize for Best Fiction in Translation


The link below is to an article that takes a look at this year’s winner of the Man Booker International Prize for Best Fiction in Translation.

For more visit:
https://www.theguardian.com/books/2017/jun/14/israeli-author-david-grossman-wins-man-booker-international-prize

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Explainer: what is public interest journalism?



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Public interest reporting is often equated with watchdog or investigative reporting. But it can include other factual stories that serve the public interest.
Shutterstock

Andrea Carson, University of Melbourne

Public interest journalism could be considered the antithesis of media’s darker side, which includes fake news, propaganda, censorship and voyeurism.

The outcomes of public interest reporting can expose corruption, launch royal commissions, remove improper politicians from office, and jail wrongdoers.

Think of recent stories like ABC Four Corners’ exposure of the treatment of young people at Don Dale Detention Centre; The Sydney Morning Herald’s revelatory stories on now-convicted MP Eddie Obeid; or The Newcastle Herald’s exposure of child sex abuse by priests. All of these led to public hearings. Then there was last week’s collaboration between Fairfax Media and the ABC, revealing the extent of Chinese money and influence in Australian politics.

For these reasons, this form of reporting headlines the Senate select committee’s Future of Public Interest Journalism inquiry. The closing date for public submissions is June 15.

Yet, public interest journalism is not universally defined. One common understanding among media practitioners and academics is that it refers to a journalist pursuing information that the public has a right to know.

Often implied in this definition is that, if it were not for the reporter, undisclosed information affecting the public that governments, companies and other powerful interests hold would remain hidden.

In this way, public interest reporting is often equated with watchdog or investigative reporting. But it can include other factual stories that serve the public interest, whether by providing a platform for debate or informing the electorate.

This is not stories that are simply “interesting to the public” (read here: stories about the Kardashians) – that is, entertaining, but with no civic value. These profit-oriented stories have filled certain tabloids and glossy magazines for years. Today they serve as clickbait to attract eyeballs and advertisers in the digital space, and are often found under traditional media banners.

The former editor of Britain’s Guardian newspaper, Alan Rusbridger, uses the analogy of a public figure such as a cricketer to make the point that not all revelations or “truths” are worth pursuing, and particularly not in the name of the “public interest”. Rusbridger suggests the “quality” of the target and its relationship to the public interest differentiate a story from mere smear or exposure journalism. He says:

What’s the public interest in a cricketer having a love romp in a hotel room … But if elected representatives are arguing a case in Parliament but not revealing that they are being paid to do so, then that strikes at the heart of democracy. That’s public interest; this is an easy distinction.

From this example, it is clear that context matters. As author of Understanding Journalism, Lynette Sheridan Burns reminds us that other social concerns might need to be weighed up alongside public interest storytelling. These might include an individual’s right to privacy, legal considerations, and the potential for other harms such as national security risks.

Through the liberal democratic lens of understanding the role of news media, diverse and plural voices are generally seen as enriching public discourse. This provides a range of perspectives to contest ideas and inform citizens. Ultimately, it informs their electoral choices.

Herein lies a key motivation for calling the 2017 inquiry hearings. With thousands of editorial jobs cut in the past five years at Australia’s major news media outlets – Fairfax Media, ABC, News Corp, Channel Ten – and the closure of many regional bureaus and mastheads, there is real concern about the state of public interest journalism.

Put simply, are there enough trained journalists to provide independent journalism that matters? Are Australia’s regions as well served with diverse and independent reporting as the major cities? These questions speak to the first and fourth of the inquiry’s six terms of reference.

The other questions for the committee broadly relate to the viral spread of misinformation, and to safeguards against market power in the media landscape in the name of public interest journalism.

Interestingly, rather than directly tackle what the government’s proposed removal of media competition safeguards might mean for Australian audiences’ interests, the committee is directed to examine the market impacts of new players. That is, what impact social media and search engines have on the “Australian media landscape”.

The complete absence of “audience” and an emphasis on “markets” in the terms of reference could be seen as a win for the persistent lobbying of Australia’s most powerful commercial media companies.

In a rare display of unified power, 25 heads of Australia’s major commercial media outlets met the prime minister in Canberra last month to urge the parliament to pass media reforms. To improve their commercial viability, media companies are seeking to scrap the 75% reach provision (preventing 100% market share) and two-out-of-three ownership rule.

Notwithstanding new international entrants into Australian markets such as Buzzfeed, The Guardian and Daily Mail, such law changes, I have previously argued, would likely result in concentrating proprietorial power of the biggest media operators in Australia’s most dominant news media markets: radio, television and print.

The committee’s inquiries into “fake news, propaganda, and public disinformation” are important issues to consider, but we should remember that these concerns have existed alongside public interest journalism for more than a century.

From the sensationalist, fear-mongering “yellow journalism” of the penny press in the late 1800s, to the media propaganda arising out of the world wars of the 20th century, there is nothing new about fake news and disinformation. What is unprecedented, however, is its speed and global spread in the digital sphere.

Inaccurate reporting, whether deliberately fake or just sloppy, has consequences for news media’s capacity to serve a well-informed citizenry that underpins a healthy democracy. For example, a recent US Pew Research study found 88% of Americans believe fake news confuses the public about basic facts.

These are problems for all to tackle – search engines, internet service providers, commercial media outlets, public broadcasters and social media. As is occurring overseas, this might involve media outlets and others working together to provide news literacy tools to help the public recognise fact from fiction. Any successful approach must address sources, messengers and audiences of fake news, not just target Facebook and Google.

The ConversationWhen the committee reports in December, let’s hope it offers ways to strengthen public interest journalism by placing Australian audiences’ interests ahead of all others.

Andrea Carson, Lecturer, Media and Politics, School of Social and Political Sciences; Honorary Research Fellow, Centre for Advancing Journalism, University of Melbourne

This article was originally published on The Conversation. Read the original article.

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Not My Review: Soldier Boy by Keely Hutton


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Indigenous picture books offering windows into worlds


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Front cover of Tjarrany Roughtail – the book features a collection of Dreaming stories.
Magabala Books

Ambelin Kwaymullina, University of Western Australia

In this series, we’ll discuss whether progress is being made on Indigenous education, looking at various areas including policy, scholarships, school leadership, literacy and much more.


In a town by the sea that lies in the homeland of the Yawuru people, there sits a small publisher. But in the scope of its ambition, the depth and complexity of its range, and its commitment to bringing the voices of Aboriginal and Torres Strait Islander peoples to all Australians, Magabala Books looms large on the Australian literary landscape.

The Broome-based publisher was established in the 1980s, partly in response to concerns that Indigenous stories were being taken and published without permission by non-Indigenous academics and storytellers.

Today, Magabala has the most extensive list of Indigenous children’s literature of any Australian publisher. So for parents and teachers looking to introduce children to the many worlds of Aboriginal and Torres Strait Islander peoples, Magabala Books is a good place to begin.

And anyone who buys a Magabala publication also has the comfort of knowing that they are purchasing an ethically published book. Indigenous peoples hold copyright in their stories and there is a return of benefits to the Indigenous storytellers and/or their communities.

While it is not possible to cover the depth of Magabala’s range in a single article, I offer here, as a starting point, five picture books that have wisdom to share with all ages. While most of these books are listed as suitable for lower primary, I’d suggest this is the point at which children can begin reading the books but not where enjoyment of these texts ends.


Magabala Books

Tjarany Roughtail

By Gracie Greene, Joe Tramacchi and Lucille Gill

Ability: lower primary

First published in 1992, this book is rightly considered a classic. A collection of Tjukurrpa (Dreaming) stories of the Kukatja people of the Kimberley region of Western Australia, Tjarany Roughtail is a bilingual illustrated narrative in which the pictures speak as powerfully as the words. It is also a book that can grow with children through the layers of knowledge it offers.

Young children will enjoy the stories of the Dreaming ancestors. Older children can explore the diagrams that explain the meaning of the symbols used in the artwork, as well as the maps of the Kukatja kinship system which shows the web of relationships between Aboriginal peoples and their homelands. And all ages can treasure a book that is at once a culture, language, art and philosophy text.


Magabala Books

Stolen Girl

By Trina Saffioti and Norma MacDonald

Ability: lower primary

This is a Stolen Generations tale written by Trina Saffioti (Gugu Yulangi people) and illustrated by leading artist Norma MacDonald (Yamatji and Nyungar peoples). It is told in nuanced, sparse text accompanied by illustrations that convey the warmth of family, the terror of removal, and the loneliness of life in an institution. The book ends with the hope of returning home, captured through the image of a girl stepping through a half open door into a sunlit landscape.

Stolen Girl is a moving tale that gently introduces children to a traumatic aspect of Australian history that echoes through the lives of Indigenous peoples today.


Magabala Books

Fair Skin Black Fella

By Renee Fogorty

Ability: lower primary

This masterful work by Wiradjuri writer and illustrator Renee Fogorty addresses Aboriginal identity, and in particular that being Indigenous is about culture, community and family rather than skin colour. The story is brought to life by illustrations that sensitively and appropriately capture the message of a tale that speaks to the importance of inclusiveness and belonging.


Magabala Books

Our World

By the One Arm Point Remote Community School

Ability: Upper primary

What is life like in worlds different from your own? This book tells of the Bardi Jaawi people of the Ardiyooloon community, weaving together history and traditional stories with the seasons and rhythms of everyday existence.

Our World features the children’s artwork as well as photographs of them undertaking activities such as fishing, constructing windmills from pandanus leaves, and learning animal tracks. As a whole, the book conveys a wonderful sense of Bardi Jaawi children speaking of their lives to the child-readers of the text in a meeting of lives and worlds.


Magabala Book

Once

By Dub Leffler

Ability: lower primary

This reconciliation tale by artist and writer Dub Leffler (Bigambul and Mandandanji people) is an evocative tale of friendship across difference, with the poetic text given full expression in illustrations that capture the beauty of the story and speak straight to the heart.

These books, along with the many other narratives by Indigenous storytellers, offer opportunities for children and adults to journey through diverse Indigenous realities – and in so doing, to begin to build bridges across worlds.


The ConversationRead more articles in this series.

Ambelin Kwaymullina, Assistant Professor (Law School), University of Western Australia

This article was originally published on The Conversation. Read the original article.

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Not My Review: Eliza and Her Monsters by Francesca Zappia


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Not My Review: A Face Like Glass, by Frances Hardinge


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Guide to the classics: Thucydides’s History of the Peloponnesian War



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The fall of the Athenian army in Sicily during the Peloponnesian War in 413 BC as depicted in an 1893 illustration by J.G.Vogt.
Wikimedia Commons

Julia Kindt, University of Sydney

Thucydides’s History of the Peloponnesian War breaks off before the story is over. After detailing the armed conflict between the Athenians and the Spartans (and their respective allies) between 431 and 404 BCE, the eight-book text ends abruptly in the middle of a chapter as if, one day, the writer simply dropped his pen and left his desk, never to return.

Bust of Thucydides.
shakko, Wikimedia Commons, CC BY

What required such urgent and final attention? And why did Thucydides never return to complete the manuscript? Whatever the answers, the book’s incompleteness adds a human touch to a work that is otherwise an accomplished and polished piece of writing.

The Peloponnesian War Thucydides recounts culminated in Sparta’s surprisingly late victory over the Athenians and ended a power dynamic that had shaped the ancient Aegean world for decades.

Everything changed in its aftermath. Both major powers came out of the war considerably weakened, opening the door for the later annexation of Greece by Philip of Macedon, his son Alexander the Great, and, finally, the Romans.

A fragment of the fourth book of the History of the Peloponnesian War.
Wikimedia Commons

In Thucydides, the war found an author of meticulous standard and dedication who created a work that still resonates in the disciplines of history, international relations, and political science. His thoroughness, sharpness, and matter-of-fact analysis have led some people to believe that he, and not fellow historian Herodotus, deserves the title “father of history”.

Thucydides would have agreed. His history includes several direct and indirect attacks on his immediate predecessors, most notably on Homer and Herodotus. While never once referring to him by name, Thucydides accused Herodotus of fabulation, storytelling, and a writing style that pandered to his immediate audience.

Needless to say, Thucydides was convinced that he himself offered a far superior product. He set the bar and set it high:

And the results, by avoiding patriotic storytelling, will perhaps seem the less enjoyable for listening. Yet if they are judged useful by any who wish to look at the plain truth about both past events and those that at some future time, in accordance to human nature, will recur in similar or comparable ways, that will suffice.

As a high-ranking Athenian military commander (or “strategos”), Thucydides brought to the project firsthand experience of the war, as well as an acute understanding of the complex power politics behind events on the battlefield. His analysis of the immediate and underlying causes of the war and his insight into the considerations and motivations of those fighting it remain one of the most brilliant pieces of political history to date.

His sharp analysis of the kind of forces that stir popular sentiments and drive collective decision making still resonates in the modern world. It fulfils its author’s own – somewhat preposterous – proclamation about the nature of his work:

It is a possession for all time (“ktema eis aei”), not a competition piece to be heard for the moment, that has been composed.

No self-esteem issues here.

Nonetheless, his programmatic prediction proved right. More than 2500 years later, Thucydides’ History still stands among the foundational texts in the classical canon due to its enduring analytical sharpness and the acuteness of his observations.

My war is bigger than yours

When Thucydides set out to compose his work, the writing of warfare was already a notable tradition launched with a bang by the legendary Homer about three centuries earlier. In his epic poem Iliad, Homer related the story of the Trojan War as an epic battle involving gods and humans alike. He was followed 300 years later by Herodotus who gave an account of the Persian Wars, similarly rich in iconic battles and larger-than-life personalities on both sides of the conflict.

A double bust of Herodotus and Thucydides.
Wikimedia Commons

With Thucydides, the writing of war took a new direction. In contrast to the wars of Homer and Herodotus, the armed conflict that concerned Thucydides was fought primarily among Greeks. It also involved events that occurred within the author’s lifetime, which introduced a contemporary dimension to the genre.

Thucydides focused on offering a strong and authoritative account of the war, its causes, and behind the scenes negotiations. To this end, he largely left out the gods and religious explanations more generally – although there is still more religion in Thucydides than one may think.

Instead, he offered a deep analysis of human factors and motivations. Although Thucydides was aware that all authors exaggerate the importance of their topic, he still felt inclined to make a case for his:

And this war – even though men always consider the war on hand the most important while they are fighting but once they have ended it are more impressed by ancient ones – will nevertheless stand out clearly as greater than the others for anyone who examines it from the facts themselves.

The reasons he gave were three-fold: the Peloponnesian War was fought between two cities at the height of their power; these powers went into conflict prepared; and most of the Greek world (and beyond) was subsequently drawn into the fighting.

The so-called “archaeology” of his work – a succession of observations laid out in the beginning – sets out his method: eyewitness accounts; the critical evaluation of sources and informants; and, finally, his own experience and insight.

What stands out throughout is the sharpness with which Thucydides reports. In contrast to Herodotus, he no longer includes alternative viewpoints and traditions but offers a strong, singular explanation of events. Yet the authorial voice Thucydides created in the History should not belie the fact that he engaged in his very own forms of make–believe.

Through the speeches, in particular, Thucydides offers evaluations of events and situations in a voice other than his own. Interspersed throughout the History, they provide a commentary on the events from the perspective of the historical actors.

A battle of words

Some modern critics decry the speeches in Thucydides’ History as the failure of an otherwise truthful and authoritative narrator. Yet Thucydides himself apparently saw no problem; there was no conflict between his aim to tell what really happened and his use of speeches, although he did find the subject important enough to warrant an explanation:

Insofar as these facts involve what the various participants said both before and during the actual conflict, recalling the exact words was difficult for me regarding speeches I heard myself and for my informants about speeches made elsewhere; in the way I thought each would have said what was especially required in the given situation, I have stated accordingly, with the closest possible fidelity on my part to the overall sense of what was actually said.

Among the speeches, the so-called “Funeral Oration” stands out. Allegedly delivered by the famous Athenian statesman and orator Pericles’ after the first year of the Peloponnesian war, the speech was intended to celebrate those who had fallen, and offers an appraisal of Athenian culture, identity, and ideology.

Pericles’ Funeral Oration by Philipp Foltz (1852).
Wikimedia Commons

Thucydides’ Pericles makes an emphatic appeal to the very foundations of Athens’ power and supremacy. His appraisal of Athenian greatness includes references to bravery, military strength, democracy, freedom, and the rule of law, as well as to “soft” values such as the love of beauty, education and the arts.

However, a different picture of life in Athens follows this oration: Thucydides’ detailed account of the plague that broke out shortly afterwards. Thucydides, who was also afflicted, reports in detail on the plague’s impact on the human body, the city, and its people. Lawlessness, disregard for custom, egotism and a general lack of order in the face of death took hold of Athens.

The strong contrast between the high-minded “Funeral Oration” and the ravages of the plague provides a powerful insight into the principles that guide Thucydidean enquiry. This author is not afraid to point out that ideological premise and historical practice don’t always mesh. Time and again he shows that in extreme situations, it is human nature to diverge from ideals that are otherwise firmly held.

In these moments, the anthropologist and humanist in Thucydides comes to the fore. Recent scholarship has highlighted this dimension of his work. Even though the main focus in his History remains on warfare and the geo-political deliberations that inform it, there is more on human nature and culture in this work than one may think. And, more frequently than not, Thucydides extends his sharp analysis from politics and warfare to the human and cultural factors driving human history.

The tragedy of power politics

The same sharp analysis runs throughout the work. It cuts to the core of the hidden forces, motivations, and considerations at stake in various historical situations, and informs such diverse accounts as the so-called “Mytilenean Debate” and the “Melian Dialogue”.

The Mytilenean Debate revolves around whether the Athenians should revoke their decision to annihilate the entire western Ionian city of Mytilene in retaliation for a revolt.

Ruins of Ancient Sparta in Greece.
Thomas Ihle, Wikimedia Commons, CC BY

Thucydides has two main speakers set out the case. Both speakers make a series of complex arguments revolving around questions of justice, fairness, good governance, and the nature of hegemonic rule. Cleon (a General during the Peloponnesian War) argues for harsh treatment: doing otherwise would set a dangerous precedent for other allies. Diodotus (his opponent), on the other hand, takes up this point and insists that a more lenient response is the superior strategy: it would not corner those rebelling but provides them with a viable alternative that secures a future source of revenue for Athens.

Diodotus’s argument, in particular, invokes the principles and practices of these aforementioned “soft powers” successfully. As such, the Athenians choose to overturn the decision. A trireme is dispatched just in time to prevent major bloodshed.

However, a very different side of Athens emerges in the Melian Dialogue. This is the only section in the History that’s set out like a dramatic fast-paced sequence of direct speech – a dialogue like an Athenian tragedy. Importantly, this conceit allowed both the Athenians and the Melians to present their views directly and as a collective voice.

Should the Melians (a Spartan colony) be allowed to remain neutral? Or should the Athenians insist they submit and pay tribute? The Melians make a passionate plea for justice and the right to remain neutral. The Athenians counter by pointing out:

the standard of justice depends on the equality of power to compel and that … the strong do what they have the power to do and the weak accept what they have to accept.

Allowing the Melians to remain neutral would set a dangerous precedent and threaten Athenian hegemony.

Over two millennia later, this line of reasoning still resonates. Particularly now, as populism reemerges, insights into the power of words to influence public sentiments and decision-making remain acutely (and painfully) up-to-date.

In a modern context, the American political theorist Robert Mearsheimer calls the dynamics of such considerations which revolve around national self-interest “the tragedy of great power politics”. In his book of the same name, he describes the constant struggle of nation states to maintain and optimise power and hegemony in order to prevent other states from dominating them.

And a tragedy it is. Both the Athenians and the Melians remain steadfast. Melos (an Aegean island inhabited by Dorians) refuses to submit. Athens ends up murdering all men of military age and selling their wives and children into slavery.

Enduring sharp political realism

A statue of Thucydides at the Austrian Parliament Building in Vienna.
Wienwiki / Walter Maderbacher, Wikimedia Commons, CC BY

It is such resonances which make the History stand out and endure. The voice of the characters within the story reverberate with the voice of Thucydides as its author.

Despite his penchant for long-winded sentences – truthfully and painstakingly rendered into English in most translations – Thucydides’ History of the Peloponnesian War has become a classic by virtue of the sharp political realism at its core.

It remains a must-read for all who want to understand how power politics manifest, and learn about its effect on the psychology of humankind, both individual and collective.

All translations are from M. I. Finley and R. Warner’s translation of Thucydides: History of the Peloponnesian War (New York, 1972)


(for my colleague Vras who never grows tired of arguing over Herodotus and Thucydides with me)

The Conversation

Julia Kindt, Associate Professor and Chair of the Department of Classics and Ancient History, University of Sydney

This article was originally published on The Conversation. Read the original article.

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