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National Library of Australia – Trove


The link below is to an article reporting on the threat to Trove, the national archive at The National Library of Australia.

For more visit:
http://www.theguardian.com/books/2016/mar/14/national-librarys-trove-a-great-digital-democracy-under-threat

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Latest Calibre Update


The link below is to an article that takes a look at the latest update for the ebook management software Calibre.

For more visit:
http://www.teleread.com/calibre-2-53-adds-style-transformation-tool-e-book-editor-converter/

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Kindle Table of Contents Review


The links below are to articles reporting on Amazon’s Kindle ebooks table of contents review that is currently occurring.

For more visit:
http://www.teleread.com/amazon-pulls-e-books-table-contents-placement/
http://goodereader.com/blog/e-book-news/why-is-amazon-removing-thousands-of-kindle-ebooks

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How to Celebrate Spring Break with a Book Nerd


The link below is to an article that looks at how to celebrate Spring Break (or any holiday for that matter) with a book nerd.

For more visit:
http://www.barnesandnoble.com/blog/34-ways-to-celebrate-spring-break-like-a-book-nerd/

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Whether stored electronically or written on calf skin, knowledge has never been more threatened


Richard Ovenden, University of Oxford

Information is constantly under attack. The current debate around the longstanding use of vellum (a parchment made using calf skin) for printing key legislative documents highlights the continued concern over this. Some are advocating a switch from vellum to archive paper, which costs much less and can last up to 500 years.

Recorded information is certainly vulnerable: paper and parchment, and the inks and pigments that are written, drawn or painted on their surfaces, can decay and disappear if not stored in controlled environmental conditions.

And digital information is even more susceptible to degradation than that recorded on vellum. Operating systems and information environments change and develop rapidly, and as a result information created and stored on older systems easily can become unusable. It’s by no means certain that the digital information created by our parliament today will still be secure and reliably accessible in 200 years.

Books and manuscripts have been the targets of thieves for millennia. Whole libraries have been destroyed by invading armies and fanatical idealists. Even nature occasionally has played its part – the eruption of Vesuvius in 79AD caused the contents of the Roman library at Herculaneum to become illegible. Libraries and archives have been dealing with these threats for centuries.

But the growth of digital networks as a means of storing and sharing information has created new hazards. Cybersecurity is increasingly a critical concern for modern organisations. All face the potential of hostile attacks on their digital information from cyber-criminals. And as age-old protectors of information, it’s up to libraries and archives to safeguard this knowledge from such assaults.

The Bodleian Library.
Paul Cowan/Shutterstock.com

Guarding knowledge

Libraries and archives have tackled the threats to knowledge with great ingenuity for thousands of years. The archives of Merton College, Oxford, for example, were stored from the 14th century in a building purposefully made of stone, with flooring made from tiles rather than wood to eliminate the threat of fire. And the founders of Oxford’s Bodleian Library in 1602 required all readers to swear an oath that they would not bring the library into harm, for example by pledging not to “kindle therein any fire nor flame”.

Libraries and archives have also been at the forefront of preserving digital information. Groups such as the Digital Preservation Coalition work together to develop the skills and techniques we need as a society to help manage and preserve the vast amounts of information created in digital formats. They have developed disaster recovery routines, back-up strategies, policies and a host of other collaborative arrangements.

Scholarly information is being protected through physical networks of connected computers, such as LOCKSS – an agency built on the proposition that “lots of copies keeps stuff safe”. And non-profit organisations funded by the library and archive communities, such as Portico, have developed large-scale capabilities for preserving books and journals in digital form, with backups in multiple locations.

Texts are harder to archive than letters.
AstroStar/Shutterstock.com

Personal information is also of great importance to society. Drafts of poems and novels, and the correspondence of politicians and scientists can help shine light on critical areas of history and science. Libraries and archives have always kept files of the letters of philosophers, such as Isaiah Berlin, or the drafts of speeches of Winston Churchill. But the intellectuals and political big-hitters of today are working in digital form, drafting their speeches using word-processing software, and exchanging emails and text messages with each other.

The preservation of this kind of information is much harder than the analogue equivalents. Librarians and archivists have therefore deployed techniques borrowed from fields such as digital forensics to ensure that these records are safeguarded for future generations to learn from.

Crucial role

But in the challenging fiscal environments of the early 21st century – a period hailed by many as the era of information – society runs the risk of endangering its future by neglecting the role of libraries, archives and museums). The global network of libraries and archives has been, and will remain, fundamental to the preservation and propagation of knowledge.

Society ignores the role of libraries and archives at its peril. Last year saw the 800th anniversary of that “great charter of liberties”, Magna Carta. It survives not in one copy but in multiple originals, distributed around the kingdom, as well as numerous later affirmations. Its survival as a potent set of legal and political concepts was in no small measure thanks to the role of libraries and archives in preserving the original documents.

William Blackstone, one of the most important legal theorists ever, was able to look at original engrossments of Magna Carta while writing his influential legal treatises, for example. His books went on to be read by Thomas Jefferson and the other founders of the American constitution.

A cello player in Sarajevo’s destroyed National Library, 1992.
Mikhail Evstafiev, CC BY-SA

In more recent times, we need only look at the actions of the army of Republika Srpska in Bosnia-Herzegovina. They deliberately destroyed the national library in Sarajevo as a means of erasing the uncomfortable truths of history – a perverse validation of the democratic significance of libraries.

The costs of maintaining such a system of libraries and archives are trivial compared to the costs of other state initiatives or the revenues of the giant tech companies. But across the globe, the funding of many of these institutions is under severe pressure. In an age of “information overload”, we are in real danger of failing to ensure that succeeding societies have access to the wisdom, and error, of their predecessors.

The Conversation

Richard Ovenden, Director of the Bodleian Libraries, University of Oxford

This article was originally published on The Conversation. Read the original article.

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Not My Review: Lady Midnight, by Cassandra Clare


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Why PDF is Better Than ePub


The link below is to an article that argues for PDF as a better format than ePub. What do you think?

For more visit:
http://the-digital-reader.com/2016/03/11/five-reasons-pdfs-are-better-than-epub/

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Not My Review: We Have Always Lived in The Castle by Shirley Jackson


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How Robert Louis Stevenson’s reputation was shipwrecked by his inner circle


Linda Dryden, Edinburgh Napier University

Ask most people about the heavyweights of late Victorian fiction and they will probably mention the likes of Thomas Hardy, George Eliot or Oscar Wilde. Raise Robert Louis Stevenson, however, and you’ll struggle to attract more than dusty affection: his work is usually seen as the stuff of old illustrated copies of boys’ adventures such as Treasure Island and Kidnapped, left in the forgotten corners of people’s attics.

It was very different in Stevenson’s lifetime. The Scottish writer was renowned as an essayist and belle-lettrist like Henry James, who himself regarded Stevenson as an equal in intellect and talent. Stevenson’s subsequent journey to the lightweight fringe was no accident either. You can trace it through a series of decisions and events that demonstrate an unsettling truth: once you are no longer here, there is little you can do to protect your literary reputation.

When Stevenson died aged just 44 on Samoa in December 1894, reportedly of a brain tumour, the Victorian literary world was reeling. James wrote of the “ghastly extinction of the beloved RLS”. In Samoa, Stevenson had been known as “Tusitala”, the teller-of-tales, and his obituary in the Illustrated London News lamented his passing as such:

He is gone, our Prince of storytellers – such a Prince, indeed, as his own Florizel of Bohemia, with the insatiable taste for weird adventure, for diablerie, for a strange mixture of metaphysics and romance.

Sugared Stevenson

The high praise was not to last. After Stevenson’s death his family, notably his wife Fanny, and literary friends such as Sidney Colvin, began to manage and manipulate his legacy. When Colvin published Stevenson’s letters, he had redacted material they thought unsavoury, including the writer’s disputes with his family and his salacious youthful activities.

Probably motivated by a desire to protect the lucrative revenues from those boys’ adventures, this sanitised his image. It made him more palatable for a moralistic Victorian readership, securing his reputation as a non-controversial writer of children’s fiction. In 1901 Stevenson’s great friend, the poet and critic WE Henley, decried how he had been turned into a “seraph in chocolate” and a “barley-sugar effigy”.

Stevenson quickly became a target for other leading writers. Joseph Conrad denounced him, declaring to his agent, JB Pinker: “I am no sort of airy RL Stevenson, who considered his art a prostitute and the artist no better than one”. The American writer Stephen Crane was particularly disparaging, claiming: “That man put back the clock of English fiction fifty years”. Even HG Wells wrote that Stevenson’s interest in the romance tradition was a “pitiful instance of the way in which wrong-headed flattery, a feminine book market, and a man’s own talent may triumph over his genius”.

Whether they were inspired by Stevenson’s image-makers is unclear, but these writers were certainly in the vanguard of a new generation who felt the need to distance themselves from their Victorian forebears. Stevenson was also phenomenally successful, so professional jealously may also have been a factor. It set the tone for a long period in which he was frequently seen in the same kind of way.

Yo ho ho and all that.
David Masters, CC BY-SA

The case for Robert Louis

Stevenson’s work is actually far more complex and wide-ranging than these reductive assessments allow. For Strange Case of Dr Jekyll and Mr Hyde alone, he should be regarded among the great British writers. A book of massive influence and endurance, Vladimir Nabokov believed that it “belongs to the same order of art as […] Madame Bovary or Dead Souls”.

No more Mr Nice Guy …
byronv2, CC BY-SA

Treasure Island itself is more than meets the eye. It is actually a deeply subversive story of betrayal and divided loyalties, which deserves close reading. And beyond these household names, Stevenson also produced groundbreaking work that the likes of Wells and also 20th-century literary scholars unaccountably overlooked. Published in the year that he died, The Ebb-Tide is a dark tale of tyranny and imperial mismanagement, which anticipates Conrad’s Heart of Darkness and signals how Stevenson was beginning to question the morality of European interference in the Pacific. Together with the similarly themed The Beach of Falesá, it shows that had Stevenson lived, he could have gone on to rival even Conrad as an imperial sceptic.

Stevenson incidentally had a strong influence on his literary critics. Conrad and Ford Madox Ford used the opening page of Treasure Island as the model for the first sequence of their collaborative 1903 novel, Romance, actively seeking his fame and fortune whilst diminishing his art.
As for Wells, The Ebb-Tide is a considerable inspiration for The Island of Doctor Moreau, while The Invisible Man owes a great debt to Jekyll and Hyde. Put these arguments together and you begin to see why he was never denigrated in the same way overseas. Particularly in America, France and Italy, he has always been seen as a great writer.

Some more recent writers were kinder about Stevenson. Ernest Hemingway was a fan, for instance. Jorge Luis Borges considered him “among the greatest literary joys I have experienced”. In the 1990s he began to be welcomed back into the fold in literary academic circles. This was led by the likes of Alan Sandison and the rise of cultural studies, which argues that “high” and “low” culture are completely interdependent and don’t fit into separate boxes.

More than a century after his death, it finally feels like we have reached the point where Stevenson is fully gaining the reputation he so richly deserves. We at Edinburgh Napier University are playing our part with the Mehew Robert Louis Stevenson Collection of his books and papers, which officially opens to the public on March 17. For one of Scotland’s greatest writers, his homecoming is long overdue.

The Conversation

Linda Dryden, Professor of English Literature, Edinburgh Napier University

This article was originally published on The Conversation. Read the original article.

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Book Trailer: The Lifeboat Clique by Kathy Parks