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Let’s allow parallel book imports, and subsidise Australian publishing


Jeff Borland, University of Melbourne

It’s hard to imagine that too many economists in Australia will receive Christmas cards from book publishers this year. A long campaign of lobbying, culminating with the recent Harper review into competition policy, has resulted in the Commonwealth government deciding to remove restrictions on the parallel importation of books.

To most economists this is a long-overdue reform that will increase efficiency. A group of ten prominent Australian economists today signed an open letter calling on the federal parliament to follow through on lifting the restrictions.

To Australian book publishers, and some noteworthy authors, it is an act of public vandalism, threatening the future viability of their industry.

As an economist who loves reading books, I’ve always taken a keen interest in the debate over parallel import restrictions. And I’ve always thought that there was a fairly straightforward solution – which I am going to describe and argue for in this article.

Why Australian book publishing needs support

It is easy to make the argument that books by Australian authors make a big contribution to our lives. By having an Australian outlook or content, they don’t just provide entertainment or learning, they do it in a way that has a particular interest and relevance to us.

But just because something is good doesn’t mean it needs government support. An economist starts from the position that if a product is good, plenty of people will buy it, which gives an appropriate return to its supplier. Only if the market is failing to deliver a return to the supplier that reflects the full benefit to society from the product, do economists believe that the government might need to intervene.

In the case of Australian books, I believe that such an argument does exist. Here I give two reasons why the market may not get it right – and why government support may therefore be needed.

First, the knowledge about Australian public affairs that is contained in books, and the expertise that authors develop by writing those books, allows for a more informed and productive public discourse on government policy making. This is not a benefit that anyone pays for when they buy a book – but it is a benefit to Australian society all the same.

In my own area of economics, recent books by Ross Garnaut and John Edwards on the coming decade in the Australian economy, and historical perspectives by Ian McLean and George Megalogenis, have all been important source materials for debate on what policy makers should be doing.

Second, much of our thinking about Australian identity and values is formed through the perspectives and stories that are expressed in books – whether it be novels or history or biography.

There is no single book that does this. Rather, it is the putting together of the whole of what is being written about and by Australians that enables us to do this thinking. This is a collective benefit from having an Australian book industry – and as such will always be undervalued in the market.

Why parallel import restrictions should be removed

Parallel import restrictions provide the original publisher of a book with the exclusive right to bring that book into Australia for commercial purposes. This allows publishers to treat Australia as a separate market from the rest of the world, and increases their market power compared to book buyers in this country.

The result is that (due to the smaller scale of market and our high average income level) publishers charge higher prices for books in Australia than in most other countries. This addition to book prices in Australia is a cost borne by book buyers. Publishers argue it is a necessary cost to ensure there is a strong local publishing industry.

But there is a problem with this argument. The parallel import restrictions mean that we pay more for every book we buy, not just Australian titles. Suppose that 20% of the volume of book sales in Australia is by Australian authors.

This implies that (roughly speaking) for every A$200 extra we pay in prices for books that goes to Australian authors and their publishers, we are also providing A$800 extra to international authors.

In other words, parallel import restrictions are poorly targeted, and hence an expensive way for Australian consumers to support the local publishing industry.

A better policy

If our objective is to give extra funding to Australian authors and their publishers, why not do this via subsidies or direct payments to them? With such a policy it would be possible to provide the same level of support to the Australian book industry as it receives from parallel import restrictions, but without supporting international authors and their publishers.

Of course, subsidies and payments to the book industry already happen through bodies such as the Australian Council. What I am suggesting is that there should be an increase in the extent of this funding of the book industry to compensate for the removal of parallel import restrictions.

It should be possible to work out the current value that the Australian book industry derives from the import restrictions, and when the restrictions are removed, to increase the amount of funding to the industry by that amount.

That would leave the Australian book industry just as well off as before the removal of parallel import restrictions, and Australian book buyers would be better off as a result of lower prices.

Heading in the wrong direction

The Commonwealth government has announced that it will implement the Harper committee recommendation to remove parallel import restrictions for books. Unfortunately, at the same time, it is removing funding to the Australian book industry.

Instead of increasing funding to compensate for the removal of parallel import restrictions, this week another round of cuts (including the abolition of the Book Council of Australia) was announced.

There can be no doubt of the outcome from this policy mix. Removing import restrictions together with decreasing government funding will unambiguously reduce the size of the Australian book industry; and with that we will lose the many associated benefits to Australian society.

The Conversation

Jeff Borland, Professor of Economics, University of Melbourne

This article was originally published on The Conversation. Read the original article.

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10 Reasons for Buying a Book


The link below is to an article that looks at 10 reasons why this writer might buy a book.

For more visit:
http://bookriot.com/2015/12/18/10-reasons-ill-buy-book/

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10 great books that all children should read


Belle Alderman, University of Canberra

The books we remember strongly as adults are often the ones we read as children. Not only do we remember particular books, but the emotions we experienced.

Children’s books are reread and remembered over a lifetime, and many authors believe their best writing is for children.

Rereading favourites is a good thing. With each rereading, deeper meanings emerge and understanding becomes richer.

Reading books aloud, and being read to, is also important, with research pointing to enhanced levels of brain activity for children who are read to before bed. Some research even recommends reading to a child from birth to help stimulate brain development and build language, literacy and social-emotional skill.

For young people, reading fiction can provide excellent training for developing and practising empathy and understanding how others feel and think.

Here is a selection of some of the best books to share with your child over the festive season on the topic of family and friends:


Penguin Books Australia

1. Ten Little Fingers and Ten Little Toes by Mem Fox and Helen Oxenbury

(Penguin Books Australia, 2008)
Age: 0-2 years

Fox’s exuberant rhythm, rhyme and repetition feature in a short 148-word story, making it perfect read to aloud for babies. The book features eye-catching watercolour illustrations and a series of fun activities, including counting fingers and toes and an end game of a kiss on the nose.


Goodreads

2. Over the Hills and Far Away: A Treasure of Nursery Rhymes from Around the World by Elizabeth Hammill

(Frances Lincoln Children’s Books, 2014)
Age: 0-6 years

A collection of nursery rhymes should be in every home. They are perfect for dipping into from birth and throughout the preschool years. This one features a multitude of enticing brief stories from different cultures, rhymes honed to perfection, and rich illustrations by 77 of the world’s best illustrators.


Australian Picture Books

3. Bear and Chook by Lisa Shanahan

(Hodder Headline Australia, 2002)
Age: 2-5 years

Bear and Chook are close friends, loving and patient with each other’s eccentricities. Bear is adventurous and accident-prone. Chook is cautious and careful. As friends, they have an immense respect for each other. A perfect combination of rollicking, rich and enticing read-aloud language and humorous, touching illustrations.


Enchanted Lion Books

4. The Lion and the Bird by Marianne Dubuc

(Enchanted Lion Books, 2013)
Age: 3-7 years

The text says little. The illustrations are minimal. Yet we experience an immense satisfaction in this deep friendship between Bird and Lion. Lion nurses Bird back to health after an injury, and they share winter together. With spring’s return, Bird must leave and Lion is alone again. The illustrations convey the seasonal cycle, and we cheer as Bird returns. A powerful story of friendship with perfect images that linger.


HarperCollins

5. The Day the Crayons Quit by Drew Daywalt

(HarperCollins, 2013)
Age: 4-10 years

A highly original, quirky and funny story for sophisticated readers. Duncan reaches for his crayons, but instead finds they have left him handwritten letters. They have quit their jobs as crayons and complain bitterly. Purple laments Duncan colouring outside the lines. Grey is tired of colouring large objects like elephants. Black wants to be more than an outline. Duncan finds a clever solution to remain friends with his crayons.


Penguin Books Australia

6. Herman and Rosie by Gus Gordon

(Penguin Books Australia, 2012)
Age: 4-10 years

An unlikely pair explore the meaning of friendship, loneliness and life in the big city in this unforgettable, multi-layered picture book. Herman, a crocodile, and Rosie, a deer, each lives alone on different floors of the same New York apartment block. They do not know each other, but they have common interests in music and both love films about the sea. Music brings them together when each loses their job. This story reveals the importance of friendship and belonging in understated elegance with quirky, whimsical illustrations.


Goodreads

7. My Two Blankets by Irena Kobald

(Little Hare Books, 2014)
Age: 4-10 years

A young girl arrives in Australia unable to speak English. She wraps herself in her familiar blanket woven with cultural familiarities. A girl in the park befriends her and together they share experiences and language. Gradually she relinquishes her blanket, realising that her culture comes from within. A moving story for exploring cultural similarities and differences.


Goodreads

8. Animalium by Katie Scott and Jenny Broom

(Five Mile Press, 2014)
Age: 5+

Animalium explores the animal kingdom with clarity, precision, excitement and highly detailed illustrations. Excellent features include its large size, sumptuous layout, tantalising questions and answers, clever analogies, multi-layered information and detailed index. Seven sections cover brief differences and commonalities, environment, food and behaviour. A perfect coffee table book for sharing among the family.


Bloomsbury

9. Harry Potter and the Philosopher’s Stone (illustrated edition) by J K Rowling

(Bloomsbury, 2015)
Age: 6+

Harry Potter appeals to all ages, making the series of seven books an ideal family sharing experience. The unique aspect of this book is its copious illustrations, which capture mood, magical moments, unique characters and above all a sense of other-worldliness. This illustrated edition is the perfect opportunity for families to share a reading aloud experience with bonus images.


Philip Pullman

10. His Dark Materials trilogy by Philip Pullman

(Scholastic Books, 1995)
Age: 10+

His Dark Materials trilogy is a contemporary epic high-fantasy adventure with lyrical writing, highly original, memorable characters and a story with dazzling originality. It is the perennial story of pure evil and angelic good, of bravery and courage and inventive ideas rarely explored with such conviction and believability. A great book to share with the family.

The Conversation

Belle Alderman, Emeritus professor of children’s literature, University of Canberra

This article was originally published on The Conversation. Read the original article.